Namier on English politics

Sir Lewis Namier made his name with The Structure of Politics at the Accession of George III published in 1929.It landed like a bomb, and Namier attracted conflict all his life.  I idolize him.  As a practising lawyer, I found it odd that Namier was said to be revolutionary because for primary evidence he preferred contemporary notes made at the time to secondary rehearsals made by scholars who were not present at the relevant times.  I then regarded him as I regarded Maitland on the history of the common law – if the inquirer devotes his life to digging so deep and with such understanding, he may well command our intellectual assent when he ascends to make observations that in others may sound too large and unfounded.

In 1961, Namier published the second edition of England In the Age of the American Revolution.  Amid the mountains of primary evidence that Namier assembled in the work of a lifetime, we still find large statements of insights that distinguish the story of England from that of Europe or the United States.  All of what follows comes from that second edition. 

It is a story of a remarkable people written by a most remarkable man.

***

The social history of England could be written in terms of membership of the House of Commons, that peculiar club, election to which has at all times required some expression of consent on the part of the public……In its origin, the House of Commons was akin to the jury, and the representative character of the two were in a way cognate; from an intimate knowledge of conditions, the House declared the sense of commonalty on questions which most patently and directly concerned them….it came to represent not so much the sense of the community, as the distribution of power within it…(3)

England knows not democracy as a doctrine, but has always practised it as a fine art.  Since the Middle Ages, no one was ever barred on grounds of class from entering the House of Commons, and in the House all Members have always sat on equal terms; as between freemen, England never knew a rigid distinction of classes….

Trade was never despised, and English society has always showed respect for property and wealth.  The financial expert, usually a moneyed man, was valued in the House, and the Treasury has for centuries held a pre-eminent position in the government…. ‘gentry are always willing to submit to raising their families by what they call City fortunes….’ (6)

Feudalism was a system of social organisation whereby both army service and administrative functions were bound up with the holding of land. (7)

The fine growth of English Conservatism is due, in a high degree, to the country having been free from the revolutionary action of war within its borders, and of militarism within its social organisation.  The true Conservative is not a militarist. (8)

Trade was not despised in eighteenth century England – it was acknowledged to be the great concern of the nation; and money was honoured, the mystic common denominator of all values, the universal repository of as yet undetermined possibilities…. for the English are not a methodical or logical nation – they perceive and accept facts without anxiously inquiring into their reasons or meaning. (13)

Classes are the more sharply marked in England because there is no single test for them, except the final incontestable result; and there is more snobbery than in any other country, because the gate can be entered by anyone, and yet remains for those bent on entering it, a mysterious, awe-inspiring gate. (14)

Whereas on the Continent scholarships rank as poor relief, at Oxford or Cambridge the scholar holds a privileged position, coveted as a distinction.  More intellectual work is done by aristocrats in England than anywhere else: …. What is not valued in England is abstract knowledge as a profession, because the tradition of English civilization is that professions should be practical and culture should be the work of the leisured classes. (15)

When a tribe settles, membership of the tribe carries the right to share in the land.  In time, the order becomes inverted: the holding of land determines a man’s position in the community. (18)

English history, and especially English parliamentary history, is made by families rather than individuals; for a nation with the tradition of self-government must have thousands of dynasties, partaking of the peculiarities which in other countries belong to the royal family alone.  The English political family is a compound of ‘blood’, name and estate, the last, as the dominions of monarchs, being the most important of the three…. the men who are most intimately affected by the government have a primary claim to share in it; in reality, this conclusion is based on instincts and modes of thinking much deeper and much more cogent than any conscious reasonings…. [the British Parliament] is territorial rather than tribal….

Though the State primarily belongs to the owners of the land, it is the circulating part of the nation which is most directly concerned with government…. (29)  Trade is the natural form for the acquisitive endeavor of islanders… (30) Continental nations engaged in wars for loot and talked of glory (31); the English went out for adventure and talked of trade…. (32)  Colonies… were not ‘planted with a view to founding new empires, but for the sake of trade….’ (37)

No great historic problem has ever been settled by means of a brilliant idea…. Restraint, coupled with the tolerance which it implies and with plain human kindness, is much more valuable in politics than ideas which are ahead of their time; but restraint was a quality in which the eighteenth-century Englishman was as deficient as most other nations are even now. (36)

The basic elements of the Imperial Problem during the American Revolution must be sought not so much in conscious opinions and professed views bearing directly on it, as in the very structure and life of the Empire; and in doing that, the words of Danton should be remembered – on ne fait pas le proces aux revolutions.  Those who are out to apportion guilt in history have to keep to views and opinions, judge the collisions of planets by the rules of road traffic, make history into something like a column of motoring accidents, and discuss it in the atmosphere of a police court(40)

History is made up of juggernauts, revolting to human feelings in their blindness, supremely humorous in their stupidity.  One of the greatest caricaturists that ever lived, Francesco Goya y Lucientes, reached the highest level of historical humour in his picture of a military execution of Spanish rebels.  A bundle of feeling, suffering humanity is huddled together in the last stages of agony, despair or defiance, and facing them stands a row of the most perfectly trained Napoleonic soldiers, with their hats and rifles all cocked at the same angle.  One knows that the next moment the rebels will be at peace, inanimate matter, and the firing squad will dissolve into a number of very ordinary, dull human beings.  Similarly in Breughel’s ‘Fall of Icarus’, the true humour of the tragedy is not so much the pair of naked legs sticking out of the water, as the complete unconcern of all the potential onlookers…….History of infinite weight was to be made in the absurd beginnings of a reign which was to witness the elimination of those who had hitherto governed England…..and the break-up of an Empire such as the world had not seen since the disruption of the Roman Empire – history was to be started in ridiculous beginnings, while small men did things both infinitely smaller and infinitely greater than they knew.  (131)

In the absence of distinct definable programs, it was becoming increasingly difficult to say who, from the angle of practical politics, should be considered a Tory and who a Whig …. and parties at all times at all times rest on types and on connections rather than on intellectual tenets…. (179)  Moreover, the disturbing element of personal connexions is always present in politics; the game is played by groups, and human ties continually cross and confound the logic of social and political alignments.  (184)

The territorial magnates were the nucleus of that governing class, whose claims even now are based on rank, wealth, experience, and a tradition of social and political pre-eminence (or, according to George Meredith, are ‘commonly built on birth, acres, tailoring, style, and an air’).  (181)

***

We don’t get history like that anymore.  And that is a great worry, because every word of it bears on our travails here and now.  Namier was I gather from people at Cambridge not easy to like, and I can understand how he may have unsettled the academic Establishment.  But Sir Lewis Namier stands very high in my pantheon because of the depth of his insights into our humanity.

Falstaff at Covent Garden – a kind of alacrity in sinking


This is how Sir John Falstaff reflects on the ignominy of being dumped in the Thames with filthy washing.

Have I lived to be carried in a basket like a barrow
of butcher’s offal, and to be thrown in the Thames?
Well, if I be served such another trick, I’ll have my
brains ta’en out and buttered, and give them to a
dog for a New Year’s gift.  S’blood, the rogues
slighted me into the river with as little remorse as
they would have drowned a blind bitch’s puppies,
fifteen i’ th’ litter! And you may know by my size
that I have a kind of alacrity in sinking; if the bottom
were as deep as hell, I should drown. I had
been drowned, but that the shore was shelvy and
shallow—a death that I abhor, for the water swells
a man, and what a thing should I have been when
I had been swelled! By the Lord, I should have
been a mountain of mummy.

This may remind you of the philosophical reflection of a sometime Spanish knight after a similar humiliation.  After being trampled on by a herd of bulls, Don Quixote laments:

Here I am with my name in the history books, a famous man of arms, courteous in my conduct, respected by princes, sought after by damsels, and just when I was expecting palms, triumphs, and crowns, I find myself this morning, as a climax to it all, trodden under foot, battered and kicked by a herd of filthy animals.

These are probably the two most famous characters in our literature.  They were created at about the same time.  In saluting what we may call the modern era, or the end of the Middle Ages, they stand for the end of all that moonshine about chivalry.  In the case of The Merry Wives of Windsor, we seethe arrival of the middle class as the centre of attention on our stage, a kind of Elizabethan prelude to Coronation Street, Neighbours, and Friends – although we had to wait centuries before Jennifer Anniston became the most photographed person on the planet, and bowed out in front of 52 million television viewers.

Well, that is one factor behind the snobbery that this play of Shakespeare attracts.  It may be his only play for which he supplied most of the plot, but the lead, Sir John Falstaff, had exploded on the stage in two history plays, before being killed off in another. 

But, as fans of Shakespeare are wont to remind fans of Verdi, the Falstaff of the comedy is much softer than the Falstaff of the history plays.  The brash insolence, fraud, drunkenness, cowardice, and womanizing are constant.  But in the comedy, and the Verdi opera Falstaff, we are spared watching Falstaff the recruiter accepting bribes to allow some poor blighters to be be despatched for cannon fodder.  If he cannot be said to rat on his mates, it’s because he does not have any.  It was this kind of nastiness, which gives a guilty edge to our glee, that led Sir Anthony Quayle call Falstaff ‘frankly vicious.’

The play and the opera are both put on to make us laugh and give us a good time – and reconcile ourselves to our condition.  Well, God only knows how much we need that release and therapy now.  Someone in the trade got up Verdi’s nose by saying he could not write an opera for comedy like Rossini.  Falstaff was Verdi’s answer.

At the beginning of the play, Page is discussing the form of his greyhound, which had just been outrun.  He tells Falstaff they have a hot venison pasty for dinner, and says ‘Come, gentlemen, I hope we shall drink down all unkindness.’  At the end of the play, his wife says ‘let us every one go home, And laugh this sport o’er by a country fire….’  That is precisely the tone of the whole show – and it is precisely the tone of the whole Verdi score.  It may be the most remarkable marriage of script and score that I know.

Still, some snobbery attaches to the play – but not I think to the opera.  W H Auden just refused to lecture on the play.  Well, at least he had the courtesy to refer his audience to the opera.  My own view is that if you are not uplifted by any decent performance of the play, you need help.  As for the opera – Shakespeare is the best playwright that we know, and there are only two challengers to Verdi for that position as composer of opera.  In the result, Falstaff is not just my favourite Verdi opera, but my favourite across the board.  (I may say that I have never taken to the opera Macbeth, and that the play Othello gives me the willies.   Strawberries out of order have the same effect on me as they did on Humphrey Bogart in The Caine Mutiny.)

And for those who have been cruelled by Wagner, Falstaff has one unassailable charm.  It is not too long.  It takes less time than the final act of Wagner’s comedy.

Well, those who turned out to Covent Garden in October, 1999 to see a new production of Falstaff sure got their money’s worth.  The house, especially behind the famous curtain, had just had a major rebuild.  The lead was played by a popular local, Bryn Terfel.  The band was conducted by the urbane and unflappable Bernard Haitink.  The costumes and sets were alarmingly attention-grabbing.  The full crowd was expectant and knowing – and they got all that they wanted.  This is, after all, a show in which the English may claim some rights.  And I was at home, with Opus Arte, red at hand, cheering them all on.

At first, I thought the sets and costumes were overdone, and distracting.   But I acclimatised, especially after hearing the director say later that this is after all an Italian opera, and that the story had Italian roots.  (In the extras, Haitink said this is the one opera of Verdi where not one note, not one, is out of place.  Terfel in interview was entirely at ease and bore a remarkable resemblance to Richard Burton in so many ways.  The commentary on the massive work backstage is riveting.) 

This is an opera where the music is integral to the whole show to an extent rarely seen outside of Mozart and Wagner.  As it goes, it gets ethereal, but we always come back to what it is there for – to give us a great night out and send us home more at peace with our neighbours and the world.  And that’s God’s work.

The highlight of this show was the peak of dramatic irony where Falstaff is telling Ford disguised as Brook how he will get Ford’s wife into bed.  The incoming bourgeoisie, the future rulers of television and the world, are terrified of being cuckolded.  You may as well be castrated.  The English language has no female counterpart to ‘unmanned.’  The sequence is as paralyzingly funny as the mirror sequence with Groucho Marx in Duck Soup, and is a warrant for the value of filming this kind of theatre, so that we can see close-up the facial contortions of the splendid Italian actor.  For some reason, his pain and anguish at the cruelty of fate reminded me so strongly of that of Jackie Gleason in The Honeymooners.  There are times when we get almost viscerally grabbed by the universality of theatre going right back to commedia dell’ arte and the Greeks.  And all this at what used to be a convent, then a red-light area, and now one of the more singular tourist traps on this earth.

And with it all there is a sense of elegy – unless that is just my coming to grips with coming gutsers as I get older.  Falstaff is not what he was.  They know it, and so does he.  An autumnal wistfulness pervades Henry IV Part II until it is shattered by an act of brutal betrayal.  We are spared this in the comedy and opera based on it, but not in Orson Welles’ Chimes at Midnight also entitled Falstaff.  (I do think it was a bit rich to give Jeanne Moreau second billing, when the tart Doll Tearsheet gets about three lines.)

In his play, Parolles gets his come-uppance too, but his decline and fall is total, and the pathos is scarcely funny.  As Tony Tanner remarked in discussing All’s Well, Falstaff in the comedy ‘dusts himself off fairly breezily…his attitude is more resigned – you win some, you lose some, and as you get older you lose more.’ 

I know just what he means, and perhaps that is why this play and opera just keeps getting better for me as I age.  It calls to mind a desolate Friday lunch in an Adelaide pub after court about forty years ago with a fading silk.  ‘You know, Mate, we are just like cats.  For every fight you have, you have one less to give.’

The Australian Opera put on a show of Falstaff in Melbourne about twenty years ago that mesmerised me and converted me to being a life-long a fan of both the play and the opera.  Well, this show at Covent Garden, now on film, is up there with the best – perhaps the locals can claim a home ground advantage, even if we now miss the subtle charms of the Crush Bar.  If anyone wants to challenge the West End as the beating heart of world theatre, they will have to get up bloody early.

Wuthering Heights – and Shakespeare

A few years back now, I bought the Franklin Edition of this novel.  Now I have just finished what was at least my fifth reading of the novel.  This edition is bound in leather, and the American drawings are almost photographic compared to the bleak wood cuts in the Folio Edition. 

After I had first read this version, I placed it at number 1 in the series of great books called A Curated Library.  It is elemental and unique, like the book that had been number 1 – Carlyle, The French Revolution.  And reading it again, I was reminded of the advice of a tutor at Cambridge.  ‘Don’t read it as history.  Treat it like opera or an epic poem.’

In the Foreword to the Folio, another Yorkshire novelist, Phyllis Bentley is recorded as saying:

On the moors one could escape from all the conventional restraint and battle fiercely with earth and sky… It is this untamed moorland and its untamed characters, who admit no restraint in their fierce passions, which give Wuthering Heights its incomparable air of dark, wild, stormy freedom.

That would accord with my sentiment that we are all like Hottentots tip toeing around the crater of a live volcano, when there is no known rule about who might fall in. 

I set out my impressions about fifteen years ago in the extract below, and I will just add a few observations about a novel about our inclination to lock out the outsider.

There is quite a bit of Antony and Cleopatra in Cathy and Heathcliff – a blazing untameable, but unworldly passion, except this time the gypsy is the male.  And there is a lot of Romeo and Juliet, except this time the lovers bring their dooms on their own heads.  And there are issues not just of class, but of caste.  There are aspects of this tragedy, for that is what it is, that call to mind Othello, theultimate outsider (depending on your view of The Merchant of Venice).

And this is a revenge story, as searing as the revenge in Titus Andronicus.  Then, in the end, two battered misfits survive the rubble to unite the two houses of the star-crossed lovers, and go out in quest of what Churchill called those broad sunlit uplands, in a way that calls to mind the magical finale of the Julie Taymor movie, or the ethereal peace found at the end of Die Walküre. 

You can, as they say, treat the novel as an opera, just as Wilhelm Furtwangler did for the symphony.  But, putting all labels to one side, this is one of the most searing and explosive moments in our literature.

Well, in addition to Shakespeare, Emily was brought up on the adamantine strictures of the Old Testament, the closet subtlety of Virgil, and the fiery imagination of Milton.  Perhaps no one else wrote like Emily because so few were brought up like that.

It is not just the location that makes this novel different – it is the times.  Class was all pervasive.  Servants were different – and less entitled to respect.  (That puts it softly.)  ‘Equality’ was a myth blown up by the French.  When Heathcliff returns, should he take food in the parlour, or stay in the kitchen with the servants?  Good grief, might they have had to set two tables?  Children were treated coldly, if not cruelly.  And sickness of any kind carried the threat of death.  Sick people had to be nursed over long periods.  Sanitation was not understood, and medicine was not far removed from the barber shop. 

The author died at the age of thirty.  When you compare her age and that of her sister, or Jane Austen, with that of Charles Dickens, you can gauge what we missed.

God only knows what may have happened if Mozart had lived as long as Shakespeare.

*

WUTHERING HEIGHTS

Emily Brontë (1847)

Franklin Library, 1971.  Fully leather bound, with gold edges and figured endpapers.  Illustrated by Alan Reingold.  Preface by Charlotte Bronte.

… and the angels were so angry that they flung me out, into the middle of the heath on top of Wuthering Heights; where I woke sobbing for joy.  It would degrade me to marry Heathcliff, now; so he shall never know how I love him; and that, not because he’s handsome, Nelly, but because he’s more myself than I am.  Whatever our souls are made of, his and mine are the same….

Wuthering Heights has passages like this that some English ladies – and I do mean ladies – that you might meet at Oxford University know by heart.  It has become part of the English psyche.  It was the first and only novel of a young woman from Yorkshire who had probably scarcely been kissed by a man, and it fairly raises the question: just what did they put on the porridge of those young girls up there back then? 

Emily Brontë was brought up in Yorkshire with a Celtic ancestry of an Irish father and a Cornish mother.  Her father was an Anglican minister and the parsonage was the centre of the life of the family which included a sister, Charlotte.  The girls went to a harsh Curates’ Daughters’ School, but they had the run of their father’s library, so that their education in literature was so much better than what modern children get – the Old Testament, Virgil, Shakespeare, Milton, and the rest. 

The children’s mother died young, as was common in that time, and their aunt had a fiercely Calvinist view of the world.  The children began creating their own tales and legends and creating their own worlds for those legends.  They spent some time in Europe, but they were unhappy away from the parsonage.  The novel Jane Eyre by Charlotte came out two months before Wuthering Heights.  They are very, very different books.

When you think of Wuthering Heights, think not of a novel.  Think of Shakespeare – the passionate young Hamlet jumping into the grave in defiance of convention to embrace the dead body of a woman who went mad and then killed herself when Hamlet so coldly and cruelly rejected her; think of King Lear, plunged into madness by his sustained rage at being rejected by the one woman he loved; think of Othello, tipped over the brink of madness by the thought that the young, white woman he loved was not true to him; think of Macbeth, who allows the woman he loves to push him so that his ambition sends him and her to their respective hells; think of Malvolio, who is cruelly tricked into believing that his lady loves him and then is even more cruelly accused of being mad; and think of Prospero, who uses his powers of magic to bring together those who had wronged him and then brings them undone – and then buries his magic. 

Think of opera.  Think of The Flying Dutchman, and the thumping romantic drive of the music of the sea by Wagner, and the story of a rejected loner doomed to roam alone until he finds redemption.  Think of painting.  Think above all of La Tempesta by Giorgione.  Against a nocturnal European landscape, with sawn-off pillars and odd buildings, and lightning in the sky, a young man in contemporary costume stands calmly watching over a nude woman suckling a child.  Have you ever seen anything so enigmatic?  What on earth can it mean?  Or are we simply impertinent to seek to put into words what this great artist put on canvas?  Well, then, why not just enjoy it? 

Wuthering Heights is the story of a man despised and rejected of men, who is then rejected by the woman he loves, and who sets out to and does get revenge upon the whole pack of them, but who then, in the emptiness of his achievement, is reconciled to the memory of the woman he loved. 

The scenes between Cathy and Heathcliff on his return are the most blazing.  ‘I meditated this plan just to have one glimpse of your face – and a stare of surprise, perhaps, and pretended pleasure; afterwards settle my score with Hindley; and then prevent the law by doing execution on myself.’

The score settling would have to be terminal.  This is as elemental as Greek tragedy.

In their final argument Heathcliff looks to Nelly like a mad dog foaming at the mouth.  There is a level of sustained hysteria rarely seen outside of Dostoyevsky.  Heathcliff and Cathy flay and lacerate each other like mad monks.  It is like crossing Medea and Now, Voyager.

Has any other English writer unleashed emotional power – passion – like this?  The fury that Heathcliff unloads on those who should have been close to him – for example his wife and his son – must unsettle any reader.  Heathcliff twice refers to Cathy as a ‘slut’.  Nelly got it right when she said they were ‘living among clowns and misanthropes’.  But the more revenge and power that Heathcliff gets, the emptier becomes the shell of his life, and then we see that the second Cathy is looking to change things by being civilized.

For Heathcliff, God and Satan are one, and equally irrelevant, but somehow, he manages to induce his own death, so that he can be at one in the ground with his Cathy. 

The novel ends in this way: ‘I sought, and soon discovered, that the three headstones on the slope next the moor …I lingered around them, under that benign sky; watched the moths fluttering among the heath, and the harebells; listened to the soft wind breathing through the grass; and wondered how anyone could ever imagine unquiet slumbers for the sleepers in that quiet earth’.  It is so English, and yet so wild.  And the ending is as rich as that of The Dead by Joyce.

This novel comes up at us out of the earth like a novel of Christina Stead –a rough uncut diamond.  It is all rawness, and it is found in Yorkshire, of all places.  Antony and Cleopatra, Abelard and Heloise, Tristan and Isolde, and Romeo and Juliet come at us from the mists of the past and foreign places.  (Charlotte found her male lead in Rochester in Jane Eyre – those Brontë girls sure liked their men strong and tough.)  

Our novel is altogether more modern.  Heathcliff is the original angry young man who comes undone because his girl is not ready for him – Cathy prefers the discreet charms of the bourgeoisie, with a little bit of bovver on the side. 

Well, who could blame her?  Heathcliff was a gypsy, and he had all the makings of a real bastard.  And yet we know that neither was ever going to find peace above the ground.  How come, then, that Geoffrey Boycott was so boring? 

*

And if I can bring this note to an end by swapping from cricket to footy, when you get into this book, you are playing with the big boys.  What a shame for us that we never got a reading of this book with Heathcliff read by Richard Burton.

The Mob – and Some of our Vices

Shortly before white men began occupying this country, London was consumed by riots against Catholics.  These were the Gordon Riots of 1780.  Night after night, many substantial buildings, including the home of Lord Mansfield and his library beyond price, were burnt down, and hundreds were killed when the military established law and order. 

Charles Dickens told the story of those riots in his novel, Barnaby Rudge (1841)It is an epic tale full of sound and fury, but an idiot is the hero, and this story is full of significance.  In the words of his mother, Barnaby, with the soul of innocence, ‘has been led astray in the darkness of his intellect.’  It must have taken real courage to write a novel so constructed, and having now read it for the third time, I regard it as the most powerful novel that this author has left to us.

It was not in my view an accident that led Dickens to write about the actions of the London mob with an idiot in the central role.  In words that will ring true for those who experienced the march against migrants that was patronized by neo Nazis in Melbourne in the beginning of Spring 2025, Dickens spoke of ‘this vast throng, sprinkled doubtless here and there with honest zealots, but composed for the most part of the very scum and refuse of London.’ 

One thing the novel is clear on.  People in a mob can be divided in two groups – the puppeteers, those who do the manipulating, and the base, those who are content to be manipulated.  It is an unholy marriage.  In the novel, one of the mob calls a puppeteer ‘so awful sly.’

Reading the novel again has prompted reflections on aspects of the Melbourne disturbances compared to the riots in London.

Selfishness

Even hermits may feel the need to call a plumber, night carter, or doctor.  If you wish to live with, or at least have access to, other people, you will not be able to act as if you were one person standing alone.  You would have to contradict Richard III expressly when he said ‘I am myself alone.’  (And he is the archetype villain.)  If you want to be able to take, you must be able to give.  In the vernacular, you must pull your weight.

This is too much for too many.  We saw it during the Covid emergency.  In an emergency, the need for cooperation and cohesion is increased.  Yet many selfish people asserted a right to opt out.  They sprouted ideological claptrap about ‘liberty’, or doubts about vaccines.  They were more concerned about their alleged rights than the vulnerability of others.  They were selfish. 

Some even claimed to be ‘sovereign citizens’.  Sovereignty is a tricky notion at best, but this looks like a contradiction in terms that makes as much sense as ‘powerless monarch’.  There is a term for such people.  ‘Bush lawyers’ are serial pests.

Then, after two police officers were murdered, and all available police were involved in a search for a dangerous killer, some decided to go ahead with a public event that they knew would take up police time and cause serious trouble.  They generated division and loathing, and some confronted and attacked police at the worst possible time. 

They seemed to be equally opposed to recent migrants and those who had been here for many thousands of years before any white people arrived in their boats.  (A lecturer of colour at Cambridge said the British Empire was spread by ‘water-borne parasites’.  It was a great line about ‘boat people’.)  The flag they purported to celebrate features a foreign flag – the one that was run up by those white migrants who first arrived here in 1788.  These marchers were in large part as nasty as they were selfish.

Prejudice

Truth matters.  Or it used to matter. 

We arrive at it, or try to arrive at it, by thinking.  There are many ways that process can be corrupted.  The most common is prejudice.  We tend to prejudge issues based on insufficient evidence and to arrive at an opinion that suits our world view.  Antagonism between people of different race, religion, sex, or sexuality typically starts this way.  It is harmless in sporting competitions, but poisonous elsewhere.

That is one way we fail to arrive at truth and risk being lost in Fantasyland.  But truth as a whole has been undermined by what is called ‘social media’, so that the man who was called the leader of the free world looks to have lost all connection with truth.  There is in play a catatonic movement in how people at large think – or, rather, don’t think.

Laziness

Too many people are too loose in their language.  We all have our prejudices – about religion and sport for example – but we are insulted if someone says we are prejudiced against people on the grounds of race, sex, or sexuality. 

The relevant terms of abuse include ‘anti-Semitic’, ‘misogynist’, and ‘homophobic’.  They have all been used so loosely that none has scarcely any useful content left.  If John the footballer is said to be ‘homophobic’, the relevant emotion is not fear.  Rather, the charge is that John dislikes gay people; that his dislike is irrational; and that he regards all gay people as being in some way inferior.  John is in truth endorsing a form of branding – something we normally reserve for cattle.

You do not compliment John by describing him in that way.  On the contrary, you are attacking him by denigrating his humanity.

There are then these problems.  This charge is far too often made with no adequate foundation.  And in circumstances of strife where prejudice and malice too often are manifest.  And the person making the charge is indulging in a form of branding, and so engaging in something like the vice he or she is attacking.

Stupidity

This ‘branding’ commonly involves its own kind of stupidity.  Do I have the right to call John a loud bigot just because he barracks for Arsenal or Collingwood?  Or can I call Ivan uncivilized just because he is Russian?  Or can I say that no Irish man can be trusted to pay tax because of the attitude of Irish government to tax? 

In each case the available premises do not support the conclusion.  The Latin phrase is non sequitur.  And in each case, there is an insult to the humanity of the target. 

Insult weighed very heavily in the Roman law of civil wrongs.  And you can find authority for a very large proposition of Roman law that any affront to the dignity of the individual was actionable for the wrong of inuria.  The common law knew nothing of the kind.

Victimhood

You know you are in Lala Land when Donald Trump claims that he and Vladimir Putin, and, for that matter Benjamin Netanyahu, are victims of some undue process.  (He is happy to pass over the fact that he is so far at least the only member of the trilogy to have been convicted of a serious crime.)  Nigel Farage claims the right to stand up for victims.  He says that ordinary English people are victims of excessive migration.  That claim was being aired in the marches against migrants here in Australia.

This is I suppose an example of what some people in the press call ‘identity politics’.  The problem is that to claim each member of a group should be regarded as different to the rest of the community, and therefore dealt with differently, can lead to the most pernicious consequences in the history of mankind.

Naivety

If you watch programs like American Greed, you will wonder at the stupidity of victims of con men.  You may wonder if you could be so vulnerable.  ‘There is one born every minute’ is a truth that comes from the fact that the promise of wealth distorts, or blows, people’s minds.  They forget one maxim of investment: the greater the return, the higher the risk.  At best, the victims look naïve, and when the scam is uncovered, they feel shame that they allowed themselves to be taken for a ride.  (I speak from experience of having been scammed.)

Recently, people marched in Melbourne protesting, they said, against migration.  Very few would acknowledge that all white people in Australia – the nation of the infamous White Australia Policy – are migrants, or descendants of migrants going back to 1788, but we can put that to one side.  We are assured that many of these people were decent people exercising their democratic right of protest in an event that was taken over by neo Nazis. 

That takeover was foreseeable, if not inevitable, and those decent people must be naïve to a level that makes them dangerous.  They were after all participating in the inevitable replay of an historical process.  Children fight hard to gain control of the tree house, and then fight like hell to lock out other upstarts threatening to dilute their power or wealth.  Try for example The Lord of the Flies by William Golding.

Jealousy

If you look at western democracies that embody the welfare state – and the U S is not one of them – you face the same problems.  People want to receive the same benefits from government, but they don’t want to pay for it.  Those at the top get cross at the increasing demands made on them, and those at the bottom are incensed at the lack of fairness in the distribution of income and wealth.  And they resent newcomers who look to them to be here to get their heads in the trough.  They fear that their own standing is being debased.

You know you have a problem when both ends are whingeing, but it is hard to persuade a bank teller that the system is fair and reasonable when her boss gets paid one hundred times what she gets, and when some professional people are charging north of thirty thousand dollars a day.

Righteousness

This term is not often used favourably now.  It is downright obnoxious when claimed for one’s self by the speaker – usually by implication.  It is implicit in the bearing of the victims.  The self-righteousness of some victims – actual or alleged – can be revolting, especially with those who look like anything but victims, when they seek to benefit from the suffering of others.  (A droll observer, might offer, from a safe distance, Collingwood supporters as a good example.  People of wealth and standing posing as victims.) 

Not many of these standard-bearers of the downcast are surgeons or silks.  But we see it now from those at the very top to those at the very bottom when they seek to assert some moral right in what is otherwise a sterile argument about wealth and power – underwritten by the green-eyed monster called jealousy. 

These claims on righteousness lead people into melodrama, and claiming a significance that life has otherwise denied them.  For a change, they mean something, and they have a cause.

And white Australians baiting migrants and people of colour, when all white Australians are white migrants or their descendants, are about as nasty as you can get.  Among other things, apart from our migrant past, you would have to shut down every hospital in Australia if you were to exclude migrants, especially those from Asia and Africa.

Insecurity

Insecurity is no more a vice than anxiety, but it plays a fundamental role in much of our communal unrest.  You do not see many professional people or leaders of business at MAGA or Nazi rallies, and you rarely hear complaints or fears about migrants from those whose position or status is secure.  The trouble often comes from those who are insecure, and therefore feel anxiety, a form of fear.  This then disfigures thought.  The great Dutch philosopher Spinoza said:

‘Men would never be superstitious if they could govern all their circumstances by set rules, or if they were always favoured by fortune …. The human mind is readily swayed this way or that in times of doubt, especially when hope and fear are struggling for the mastery, though usually it is boastful, over-confident and vain.  Superstition, then, is engendered, preserved and fostered by fear.’

Some cannot tolerate doubt, and along with superstition, they go after any conspiracy theory that they think might justify their world view.

It is, I suppose, a fact of life, if not language, that the weak are prey to predators.  And stupidity and insecurity lead inevitably to gullibility, as Spinoza observed. 

People become suckers for those who have the answer.  They are vulnerable, and when the aggrieved unite behind a leader, their communal belief and self-righteousness warps their minds, and strife and violence become more incidental than accidental.  On a bad day you get the Proud Boys.  Here it is the so-called neo Nazis – forget the neo, they are Nazis properly so called. 

Macaulay said:

‘We daily see men do for their party, for their sect, for their country, for their favourite schemes of political and social reform, what they would not do to enrich or avenge themselves…. virtue itself may contribute to the fall of him who imagines that it is within his power, by violating some general rule of morality, to confer an important benefit on a church, on a commonwealth, on mankind.’

Ambition

This does not sound like the people we are looking at.  ‘Ambition should be made of sterner stuff.’  Big hitters like Alexander, Julius Caesar, Napoleon and Hitler all had ambition and were brought down by it, leaving millions of dead behind them, but it does not seem the appropriate epithet for our protesting marchers.  They do not want to join the ‘elites’ – they loathe them.

Intolerance

Attaching headings to these traits should not give these labels any more force than traits to look for in trying to work out how we go off the rails.  They are all out there to combine to undo us.  But we may have left the worst to last.  Intolerance.  Sir Lewis Namier knew as much about history as anyone I have read.  He said what we miss is ‘tolerance with the restraint it implies.’  If you look at the flare-ups currently being encountered in the U S, the U K, or Australia, they arise from or are driven by intolerance and a lack of restraint.

Venom

The result of these vices can be a loathing that cannot be dismissed as irrational, and a form of vitriol that is anything but rational.  Such as Nazis or police killers who call themselves ‘sovereign citizens.’  These people are cancers on the common weal, and in looking at dealing with them, we should bear steadily in mind the forces for evil that were unleashed in Paris in 1789, in St Petersburg in 1918, and Berlin in 1933.  Those explosions led to catastrophic losses of life and human dignity.  It is curious that two are still celebrated in some parts.  But what we do know is that when revolution comes, the scum rises to the surface – and we can already see the scum before our eyes.

Dickens had at least two things in common with Shakespeare – the ability to depict precisely those at the bottom of the barrel, and an unholy fear of the mob.  In this Dickens novel, the hero was sentenced to death for his part in the riots.  He got a full pardon in the end, presumably on the ground of some kind of diminished responsibility.  Medicine may need to refine its views on insanity, and the law may need to do so on criminal liability, but it would be as well to remember the insistence of Hannah Arendt that:

‘The trouble with Eichmann was precisely that so many were like him, and that many were neither perverted nor sadistic, that they were, and still are, terribly and terrifyingly normal.’

Flowering Times at the English Bar

[This began as a short note in comparison with the US but got expanded into a potted history of English law.]

During the period historians call the waning of the Middle Ages, the history of England was shattered and then shaped by the Wars of the Roses.  As Shakespeare envisioned it, these wars were ignited during a meeting of the leading members of the ruling class at a place called the Inner Temple, a lawyers’ communal house in central London.  They argued about who had the better title to the English crown.  It got so loud that they quit the hall and repaired to the garden.  Richard Plantagenet, the Duke of York, had stated his claim and he asked those who followed him to pluck a white rose for the House of York.  Others chose a red rose for the House of Lancaster.  It was all very English – people of power and substance who had been trained in the law debating ‘nice sharp quillets of the law’ – until it descended into ‘blood-drinking hate’ condemning a ‘thousand souls to death and deadly night.’  We get a grim combustion of privilege, savoir faire, and raw violence.

Well, that is certainly high drama – enough to be shown in an evocative painting that hangs in the House of Commons.  There is a copy of it at the entrance to my Yarraville flat, because it stands for the confluence of the law, history, language, and theatre that has coloured my whole professional life. 

And it leads to the following reflections.

The ‘activist’ is commonly the kind of person who gets up the noses of other people.  Just look at the fate of the Jewish hasid whose gruesome execution on Good Friday is annually recalled with reverence by millions throughout the world.

The institution known as the English bar, the grouping of its first lawyers, has a very long history.  It is a story that comes from centuries before the white men arrived in America, and even more before they settled, if that’s the word, in Australia. 

An English legal historian – it was Theodore Plucknett – said that by about 1300 there was ‘a very brilliant bar’ in England.  I once wondered how a legal historian or jurist could be so confident about that – but I don’t now.  And what I do know is that this bar would unleash activists who shaped the history of England in a way not seen anywhere else in the world.

The lawyers were obviously involved in drafting Magna Carta, which we now see with the common law as the foundation of the English constitution – and therefore ours here in Australia – and what we call the rule of law.   You can watch Kenneth Clark’s Civilization yet again, but I doubt if you will see any reference to the rule of law.  What Magna Carta established in 1215 was that the king was under the law because the law made the king.  And the king could not proceed against me except by and with the law. 

The world had not seen anything like it – and most of the world – say China, Russia and nearly all of Africa and South America – is yet to experience anything like it even now.  But there is not much point in having a Ph D on the enigmatic smiles in Leonardo, or the opera buffa of Mozart, if you live in perpetual fear of a knock on the door just before dawn, when two programmed thugs in black leather take you away, and you are not seen or heard of again.  We only get a hint of that powerlessness when we go, say, to Moscow or Rio for the first time – or, as I am now told, you get off the plane now in the U S under President Trump.

For reasons I have never understood, English jurists tend to be coy about the contractual effect of the Great Charter.  Well, there was an enforcement clause, that was Exhibit A in the duress case at the Vatican, but the promises were mutual, and intended to be binding, by the most sacred bonds then known to the law, and by and large they were.  That is what we call a contract.  It was just like the service contract entered into now by the CEO of a public company or the principal of a private school.  And Richard II was just one of a number of kings removed from office, and then life, for falling into what lawyers might call a fundamental breach of contract or a repudiation of his fundamental obligations contained in his coronation oath.

The lawyers made their presence felt in Magna Carta.  They could see a monopoly in the offing and moved to protect it.  Clause 45 of Magna Carta provided that the crown would only appoint as officers of the law ‘such men as know the law of the kingdom and well desire to observe it’.  This is still part of our law (although it is routinely ignored by governments intent on promoting activists that are to their liking).

Then in 1292, the king sent a writ (a form of letter) to the Common Bench ‘concerning attorneys and learners’ stipulating that the ‘better, worthier and more promising students…. should follow the court and take part in its business; and no others’.  It is fundamental that legal education and the profession as a whole were put under the direction of the courts, and not some institution of learning or government at large.  From the very start, the English bar, or profession, asserted its independence from government by the crown.  That has been so for 800 years.  It is no longer so in the United States.

The English, for this is what they now called themselves, liked to get involved ‘politically’ at all levels.  They also invented pubs and gentlemen’s clubs.  It was only natural, then, that the lawyers would gather socially and professionally in collegiate groups.  They were called Inns of Court.  One of them was the Inner Temple referred to above, and eating dinners was a fixed part of the regime of becoming a lawyer.  You went there to be indoctrinated – rather as a Catholic later might subscribe to the Society of Jesus the better to practise and champion his religious faith, rather than a learned profession. 

You had the bar and the bench, and the tradition that judges should only come from the bar soon hardened into custom, and then into law.  But your membership of an Inn stayed with you for life, and over time the Inns would become a kind of finishing school for young men wanting to take part in the governance of England.  The apprentices had to attend so many dinners each term, and such teaching as there was never extended to anything like theory or philosophy.  They learned on the job, and only on the job.  That is still the case.  Universities had little or no place in the training of working lawyers until many centuries had passed.  The result was that the lawyers were not just involved in formulating the law – they were driving it from birth.

Now, people coming together to gain strength in numbers, especially if they owe a form of allegiance to their group, unsettle monarchs and government generally.  (Milton noticed that ‘fear of change perplexes monarchs’.)  The French revolutionaries quickly banned combinations in a manner that would be followed by the ruling class elsewhere to the appearance of trade unions.  Indeed, as the great French historian Marc Bloch suggested, it is hard to think of a more evocative term in the history of Europe than commune.  Well, the communal life of the English bar would justify all those apprehensions, and it would haunt and finally tame the English crown.

The Serjeants at the bar had their curious outfits and head gear; their coifs reminded some of tonsured clerics (or latterday nuns); and their descent into the esoteric may have reminded others of strolling players, the Freemasons in The Magic Flute, or besotted Tarot card readers.  But their whole training and close upbringing led them, in the words of the legal historian Sir William Holdsworth, to ‘maintain in the common law and the common lawyers that boldness in the face of authority which has always been the chief bulwark of our constitutional liberties.’  This attribute of the lawyers, and the readiness of the nobility to join with them against the English Crown, are two massive columns of the political differences between England and Europe.

Then there was the way the English bar and bench went about making the law.  The great legal historian F W Maitland published lectures under the heading The Forms of Action at Common Law.  It is rarely taught now.  That is worse than a blunder.  What we call the common law is law made by judges applying the doctrine of precedent.  It is as natural as Pavlov’s dog to deal with a problem by asking ‘How did we deal with this before?’.  The notion that like cases should be treated alike is fundamental to our sense of fairness – that is, justice.

It started in England with arguments about whether the person moving the court had bought the right form from the court.  Not just pink for trespass or blue for debt, but something like that.  This dedication to forms was par for ‘primitive’ law – as it is now the curse of our lives under robots. 

After a while, lawyers started taking notes of these arguments.  These were published as the Year Books.  They are our first law reports.  (I used to be the proud owner of a complete set – Law French and Latin in Gothic Print.)  Perversely, our ancestors worked back from the legal process to look at what kind of legal right was being invoked – a process that led to the celebrated remark of Sir Henry Maine that our substantive law was secreted in the interstices of procedure.

(The English also played a leading part in the development of sports like football, cricket, tennis and golf.  It may well be that in each case, what started as a simple custom for idle pastimes settled into something more permanent and mature when the English took the trouble to formulate elaborate bodies of written rules for the governance of sports that now underlie businesses worth billions of dollars.  You can see a similar thread of accidental growth.  Perhaps the Corsican parvenu may have been closer to the mark had he described them as a nation of book-keepers rather than shopkeepers.)

While the bar argued and the judges decided cases, texts began to appear that that would become what were called ‘works of authority’.  There were names like Glanvill, Bracton, Fortescue and Hale.  In the 18th century, Blackstone’s Laws of England would achieve something like biblical status in the U S. 

The descendants of the Anglo-Saxons in Germany had been corralled by the Normans from France, but whereas Germany and France adopted Roman law, the English willfully, stubbornly, and then proudly refused to do so.  The common law was native to England – indigenous if you like, just as the boomerang was indigenous to the first peoples of Australia – so that a distinguished American jurist, Professor James Barr Ames, could say with a straight face in his Harvard lectures that the ‘English common law is more German than the law of Germany itself’.  Their law was Teutonic in origin, even when filtered through German folk laws preserved in the Salic Law published in the fifth century.

It follows that the law books of the English were quite unlike Roman law texts – they were the for the most part collections of precedents with some commentary.  Anyone looking for any theory of the law would have sounded very odd – as odd as someone sounding off about the elegantia juris (juristic excellence) of the laws of Justinian that had evolved from the Tablets of Rome over a period of about one thousand years, and by which almost all the known world had been ruled.  In the result, this perverse island stubbornness has left the world divided between two great legal systems – common law and Roman law.

Students of philosophy – the few of them still left – are brought up to know the difference between the empirical approach of the English and the rationalist approach over the Channel.  It, too, is fundamental, as is the difference between the adversarial and inquisitorial mode of trial.  It is very sad that an insular attitude of our places of higher learning leaves our graduates ignorant of this mighty chasm which is as deep as the Atlantic.

The Roman law derived from codes.  It prefers codification.  The Code Napoléon is a good example.  The common law eschews theory, grand designs, and codification.  It arrived, as if by accident, over a period of time – the product of trial and error in applying the doctrine of precedent to events that unguided chance throws up. 

One is the rationalist view of the world.  It leans to theory.  The other is the empirical.  It leans to the experimental – or, simply, experience.  Ultimately that philosophical divide is reflected in the logical divide between deductive and inductive reasoning.  From our point of view – that of the common law – there is a lot of truth in the well-known statement of Oliver Wendell Holmes that the ‘life of the law has not been logic, but experience.’  (The risk in the rationalist view is that logic may dictate that there can only be one correct answer – and then you are on the path to the absolutism of totalitarian government.) 

But the difference in world view (Weltanschauung) between England and Europe is far greater and of more significance than the difference between Aristotle and Plato or Hume and Hegel.  Yet so few understand that difference, and nowadays it takes someone like Jonathan Sumption to refer to it.

If you go back to the period covered by the Year Books (1268 to 1535), you find something else we have not given nearly enough attention to.  The Inns were coming into being and their teaching was taking effect at that point in medieval history when English universities were still getting off the ground.  Until then, the priesthood had had a monopoly of higher learning.  And they had guarded and abused that monopoly viciously by burning at the stake people who wanted to read the gospel or conduct their worship in their own tongue.  Only the priest had the power to loose and bind – and the rest of us just had to take them on trust. 

Now that monopoly was busted.  Sure, the lawyers had their own tricks and quirks, that fascinated Shakespeare and that would revolt Dickens, but they were English foibles.  And they were foibles held by people who did not duck a fight – as nations of Europe would find out severally to their cost.

History has in my view underestimated this achievement of the English bar.  When you link it with events called the Reformation that we are coming to, the priesthood is being put back in its box in a way that we do not see much of anywhere else.  It looks to me to be a form of emancipation in the long march of history from our own self-imposed immaturity.

Luther in Germany protested about religion and the Church.  The Reformation in England had very little to do with religion.  The Tudors came to power when the magnates had exhausted themselves and fractured the nation in the Wars of the Roses.  Henry VIII had to secure his succession.  The Vatican had an imperial conflict of interest, and could not accommodate Harry.  England seceded, and it did so not by royal proclamation, but a series of carefully drawn statutes.  The judges had used ‘fictions’ to break the fetters of the old forms of action.  The parliament was not shy about doing the same in affairs of state.  They trotted out the line used for Magna Carta – they were just confirming the status quo.  ‘Where, by diverse sundry old authentic histories and chronicles, it is manifestly declared and expressed that this realm of England is an empire….’  Simple really – you just talk yourself into a position of moral rectitude – and not long after that, Shakespeare would descant on the ‘imperial’ theme in Henry V.

But from then the title of the crown derived from statute – the parliament.  The English were moving toward democracy.  Representatives of the people in parliament made the laws.  Representatives of the people in a jury decided whether someone had broken one of those laws.  They had given themselves Home Rule in religion, and no one else on the world had got even close to any such liberation.

Now, Thomas Cromwell, the lawyer, was actively involved in overhauling not just leadership of the English church, but the whole system of government in England – but we would not say that it was the lawyers who drove the Reformation.  Their most vivacious political flowering time came in the seventeenth century with the Stuarts.  It was as if these four kings were sent by God to put a bomb under the English Establishment that was far more explosive than any bomb dreamed of by Guy Fawkes. 

These erratic kings ran into king-breakers from Hell – landed gentry who had God, and training in the Inns of Court, like Pym, Elliot, Hampden – and Thomas Cromwell.  Behind these ‘amateurs’ was Sir Edward Coke, as tough as old boots, and the bane of the monarchy – whom he could contradict at will because he had the law in him and the kings didn’t.  The others were for the most part polite revolutionaries, armed only by God and the law.  The word ‘activist’ would have been the ultimate insult.  Perhaps it now merely reflects on our anemia.

In the upshot, after a civil war, one king was executed, and another was deposed, or just thrown out.  And the balance of power between parliament and the king was settled in the manner we now find it by the Bill of Rights. 

A bright young junior barrister named John Somers was briefed to do the first draft.  Jefferson would top and tail it for the Declaration of Independence.  Everyone knows about Thomas Jefferson, and his memorial.  Hardly anyone has heard of John Somers.  But in my view, which is biased, Somers was a much better draftsman.

Perhaps I may just refer to one member of the bar, Oliver St John, of St John’s College, Cambridge and the Inner Temple.  Charles I raised money without parliament by resorting to an ancient form of naval levy called Ship Money.  To a constitutional lawyer now who is used to the complexity of tax cases, there were obvious legal problems (as there now are in the tariffs of Donald Trump).  However, a challenge to their legality nearly 400 years ago in England was going to be hard – and out of the question anywhere else.  But a challenge was set up and led by St John, whose arguments were gone over for days in the pubs at Westminster.  It took me a full day to follow his argument in the octavo State Trials.  They were differently educated back then – in Latin, grammar, logic, and rhetoric, and boy, can’t you see it. 

St John lost by a tame, slim majority (that the parliament dealt with when recalled).  The whole process would be very hard to replicate now, and just about impossible in most of the world.  I am still not sure that I understand how the legal issue came to be formulated, but St John followed our preference, articulated by Sir Owen Dixon, for a ‘strict and complete legalism’ in sensitive issues of political governance.  The whole process looks to me now to have been centuries before its time – centuries.

Then there was the trial of the Earl of Strafford.  He had been on the side of the Commons, but he had gone over to the crown and King Charles I.  He had an army in Ireland and the force of character to use it against the people in England.  He really put the wind up the English and they determined to take him down – terminally. 

On trial for his life, he ran rings around his pursuers in an impeachment in parliament.  They then dusted off the old process of sentence to death by act of attainder.  To put it softly, this was not really cricket.  If you look at his portrait, you will see both aloofness and something like compassion in the tall striking figure of St John.  But he was a most formidable advocate and opponent. 

Strafford and his king were confident when St John got up to speak in Westminster Hall on 29 April 1641, but the ice in his veins left no room for compassion.  He spoke for hours on legal arguments as sophisticated as those in the Ship Money Case.  Then, after nearly three hours of high technique from the Year Books on, he struck to kill – an English gentleman acting like an Australian taipan.

It was never accounted either cruelty or foul play to knock foxes and wolves on the head as they can be found, because they be beasts of prey.

That is by far the deadliest submission I have ever seen or heard.  Strafford was doomed, and his king had to sign the warrant. 

So, the people who gave the world that polite game of cricket could be lethal when stirred.  Many forget that Lord Denning, M R, that latterday champion of the people, had worn a uniform in the First World War.  He held that the executive government must never be allowed more power than is absolutely necessary.  His Lordship said so in a very English way.

…. there must be judges in the land who are ‘no respecters of persons and stand between the subject and any encroachment on his liberty by the executive.’  We taught the kings that from Runnymede to the scaffold at Whitehall: and we have not had any serious trouble about it since.

Quite so.

Well, the governance of England was now set in place.  In the eighteenth century, they developed the Cabinet and the Westminster model, and they started coming to terms with the quite blatant corruption, so finely detected by Sir Lewis Namier, by which the whole country had been run. 

In the eighteenth century, Lord Mansfield rewrote English commercial law with the help of experts who made up special juries – and occasionally supped with his Lordship, even when they were all involved in hearing a case.  Things were different then, and we cannot be heard to say that we do things better.  But some things never change.  The Elizabethans liked an old proverb: ‘Fools and obstinate men make lawyers rich.’   And they continue to smell each other out at the end.

In the nineteenth century, which is called the Age of Reform, the English sought to clean up their whole act in the administration of both the courts and parliament and the civil service, and make laws to deal with the grosser kinds of our inhumanity.  Then the suffrage became universal, women got the vote, the Welfare State was set up, the United Kingdom saved Europe from Germany, England gave up its empire, and it’s been sadly downhill ever since.

Still, the common law went its own way, and still does.  It does so very differently to the way in which Roman law works, and Sir Owen Dixon reminded us that the rule of law was not known to the Romans or their later followers.  As the common law judges were wont to say to government ‘Don’t tell us what the law is – we made it.’ 

We must recall that as part of their profession, the lawyers spent their time protecting the liberty of the subject and ensuring due process.  As often as not, it was their duty to argue against the crown, or moneyed interests, and if they felt intimidated, they were not up to it.  In the 16th century, the Chancery had a sign on its door: …the refuge of the poor and afflicted; it is the altar and sanctuary for such as against the right of rich men, and the countenance of great men, cannot maintain the goodness of their cause. 

Well, Dickens justly slammed that pious smugness in Bleak House and other novels, but the ‘oppressor’s wrong and proud man’s contumely’ dreaded by the prince of Denmark remain.  Unlike the Romans, we have not yet developed contumely as a separate cause of action, but it is a term you will see in claims for damages to make an example of the oppressor.  And it is in standing up against the oppressor’s wrong and proud man’s contumely that the profession of the lawyers justifies itself.

It all comes down in my view to a state of mind that is fundamental to what we understand, with the teaching of centuries of history, as the rule of law.  And although these things cannot be measured, we see a kind of individualism that underlies our view of government.  As Henry Lawson saw it, we are not keen on tugging the forelock.

This is all a very remarkable story.  The romantically inclined could get downright starry-eyed about it all.  But if we go back to the glory days of the revolts against the Stuarts, we see that the lawyers were in league with the parliament against the crown.  The Trevelyan clan were apt to go over the top about all this, but it is worth recalling what G M Trevelyan said:

Coke had not striven in vain.  He had enlisted the professional pride of the students of the common law against the rival systems especially favoured by the Crown and the Star Chamber, the Admiralty and the Ecclesiastical Court.  He had turned the minds of the young gentlemen of the Inns of Court, who watched him from afar with fear and reverence, to contemplate a new idea of the constitutional functions and of political affinities of their profession, which they were destined in their generation to develop in a hundred ways, as counsel for England had gone to the law with her King.

I used to think that most of  this kind stuff was just waffle.  Now I fear that we are losing it altogether.  And if you want to know what it might mean if you forget the history and role of the bar entirely, just look across the Pacific now.  The legal industry there, for that looks to be all there is, having the dollar as its only regulator, tamely tossed in the towel to a greedy government, and all its members should hang their heads in shame.  They have let down the people they are there to serve.

Perhaps I may be allowed a footnote on my experience with ancient forms of legal process, and the habit of our English ancestors in developing a form of writ, and then going about formulating a law to drive it. 

A great instance is the writ of account.  ‘I left you in charge of my stables while I took the Cross to Jerusalem.  Now that I am back, I find that horses are missing or lame, and I am not happy with what you say about expenses and receipts – and the local ale house is flourishing.  Here is a form of command from His Majesty that you duly account to me for your stewardship.  You know what fate awaits you if you do not respond properly to our Lord King.’

Does this not smell just a little of the Inquisition?  In order to justify this imposition, the judges of our common law later looked to Rome.  They came up with the term fiduciary – which has dazzled and bedevilled us ever since. 

I should know.  I spent the best part of a quarter of a century of practice dealing with greedy but sloppy trustees of family trusts who treated their trust like an Amex account.  I would open the war with a writ of account.  What could be more polite?  Well, this could lead to a public inquiry of great interest to the keepers of His Majesty’s revenue, and no one likes hanging out their dirty washing in public.  (I spent eighteen years hearing tax cases, and could there see all kinds of very nervy diffidence at first hand.) 

Only one lawyer in all that time really called my bluff.  He later ascended the heights, and most worthily, but only after his definitively patriarchal client had made a seven-figure donation to my fair lady, and Truth, Justice, and the Australian Way.  Who said that dragons don’t exist?  They named a bloody footy team after them.

So, I was interested to read that a very long time ago, Professor Ames had said that the action of account ‘is very analogous to a trust,’ and that the important thing to remember is that the action of account is ‘the father of the count for money had and received’. 

Too many lawyers don’t understand this.  We still need every piece of bedrock we can find.  And we should teach lawyers the history of the law because that is what the law is – history drawn up from events of the past to meet the needs of the present.  We don’t unleash doctors on the public who have not been taught anatomy.  Lawyers who do not know the history of their law are hard put to say that they know the law, or what it means to be a member of a learned profession.

NOTES

Wars of the Roses: Henry VI, Part 1, 2.4, 17, 108, 127.

Brilliant bar: T F T Plucknett, A Concise History of the Common Law, 4th Ed, 1948, 211

King under the law: Bracton, On the Laws and Customs of England, (Ed Woodbine, trans Thorne) Harvard, 1977, Vol I, 38.

1292 writ: Plucknett, above, 206.

Fear of change: Paradise Lost, Book One.

Ames on German law in England: Lectures on Legal History, Harvard, 1913, 34

Bloch on commune: Marc Bloch, Feudal Society, Folio Society, 2012, 433-4.

Holdsworth on boldness of common lawyers: History of English Law, cited in Gibson, The Common Law, A History, Federation Press, 2012, 41.

Maine on procedure: Sir Henry Maine, Law and Custom, John Murray, 1890, 389.

Homes on logic and experience: The Common Law, Little Brown, 1881, 1.

Self-imposed immaturity: Kant, What is Enlightenment? Kant’s Political Writings, Ed Reiss, Cambridge, 1970, 54.

Realm an empire: Act in Restraint of Appeals, 1533, 24 Henry VIII, c. 12.

Henry V:  Henry V, 3.6.120 and 4.1.42.

Ship Money Case: Hampden’s Case, State Trials, 2nd Ed, 1730, Volume 1, 483.

Trial of Strafford: John Adamson, The Noble Revolt, Weidenfeld and Nicholson, 2007, 272

Denning on the executive: Freedom under the Law, Stevens, 1949, 15.

Dixon on legalism: Jesting Pilate, Law Book Co, 1965, 247.

Dixon on Roman law: Again, 101.

Sign in Chancery: I have lost the citation – this comes from a book yet to be published.

Trevelyan on English counsel under Coke: England under the Stuarts, Folio, 1996, 105-106.

Writ of account: this matter is now dealt with in great and scholarly detail by J A Watson, The Duty to Account, Development and Principles, Federation Press, 2016.  Life may perhaps have been simpler had it been published forty years earlier.

Ames on action of account: Lectures, above, 119, 121.

All’s Well That Ends Well Revisited

This is one of my very favourite plays.  The other night I played for the first time the 2011 Globe production in a set of the comedies put out by Opus Arte.  It was a serendipitous choice.

I really enjoyed the show.   I see from the extracts below of my note in Windows on Shakespeare that I thought the Countess was a great role for a leading lady getting on.  Janie Dee at the Globe was perfect – fresh as a daisy – and she knows it.  She oozes West End sexiness – at altitude.

And the relief and redemption of Parolles – a victim of caste – is a very moving and under-rated part of this playwright’s output.

The final resolution is not quite as good at the Globe as in the BBC version – they dropped a critical line – and the performance of Michael Hordern does stay with me.  Otherwise, James Garnon was right up to Parolles.  He and the Countess are for me the two leads.  That view may be said to be idiosyncratic.

In the end, Lafew tells Parolles – ‘Good Tom Drum’ – he will ‘make sport’ with him at home.  It is just like Claude Rains saying ‘This could be the start of a beautiful friendship.’  It’s as if Lafew can not only smell onions, but see that all the world is but a stage.

And it is a reminder that plays are meant to be seen and heard.

Perhaps not enough attention has been paid to Helena’s introduction of Parolles in the first scene:

And yet I know him a notorious liar,
 Think him a great way fool, solely a coward.
 Yet these fixed evils sit so fit in him
 That they take place when virtue’s steely bones
 Looks bleak i’ th’ cold wind. Withal, full oft we see

 Cold wisdom waiting on superfluous folly.

If we parse the difficult ending, we may get something like: ‘In the cold light of day, it is often hard to do the right thing, but we often see that those at the bottom of the ladderdo better than those above them.’  Chivalry had been a target – why not mere gentility?  Good grief – it would all sound downright Bolshie at 36 Collins St.

This production is an English gift to the world.  I have been fortunate to see six of the plays at the Globe, but All’s Well is I think the only play of the thirty-eight that I have not seen on the stage (allowing that the three parts of Henry VI were condensed.)   This production may close that loop.

I could not think of a better introduction to William Shakespeare for children than this Globe production – not least because the cast take their bows in dance form to a cheering audience who had been with them all the way.  

And each of the BBC and Globe performances can be bought singly on Amazon.  I recommend both warmly.

And anyone who can trace the Shaw quote below will get a box of Jaffas (not to roll down the aisle at the flicks).

ALL’S WELL THAT ENDS WELL – A TALE OF TWO CADS
It is always the Conservatives who stop behaving like gentlemen first.

(G B Shaw)

When an officer and sometime gentleman dumped on the late Princess of Wales, The Times newspaper published a column that concluded by saying that the system had flushed out ‘an absolute shit’. That is a more earthy and more general way of saying that he was a ‘cad’ or ‘bounder’ or ‘rotter’. We have a perpetual interest in this type of figure because it involves a failure in one of the better people, and that gives a degree of comfort to a lot of the rest of us. …. All’s Well that Ends Well has two different types of cad, Bertram, the Count of Rousillon, and his follower, Parolles (a variant of paroles, French for ‘words’). The play involves three themes well known in legends and fairy tales: the healing of a sick king; the completing of the hero of impossible tasks to achieve vindication; and the ‘bed trick’ – someone being duped into sleeping with someone other than the person they thought they were going to bed with. At least some might be precluded from denouncing the bed trick as an impossible fairy tale, because we first see it in Genesis between Jacob and Leah and Rachel……

We have, therefore, two cads. Let us look at the difference between them. Bertram is a spoiled brat……He has the magnificent incapacity of the egocentric to see that another person may be involved. He can think only of himself. He has little or no imagination. The snobbery is not the problem. It is not a question of class, but of caste….

No, the problem is that Bertram is all give and no take. He accepts the benefits, not the burden noblesse, yes; oblige, no. Bertram is the herald of the collapse of the aristocracy……

……..Parolles would have been the final nightmare for Mistress Quickly– he is the definitive ‘swaggerer’…….He is relatively harmless. There is not much malice in him. There is not much of anything there. He just comes and goes like an autumn leaf, but he can only address his betters – nearly everyone– in terms of fantasy. He is a permanent prisoner of fantasy land because he was not born able to cope with the world as the rest of us see it. …. Cads who come from a privileged background have so much more to answer for than cads who have never had a chance.

……. But Parolles knows he is skating on thin ice. ‘They begin to smoke me, and disgraces of late knocked too often at my door. I find my tongue is too foolhardy.’ (4.1.28-30) When the balloon goes up he is ‘thankful’.

… Captain I will be no more
But I will eat and drink and sleep as soft
As Captain shall. Simply the thing I am
Shall make me live. Who knows himself a braggart,
Let him fear this; for it will come to pass
That every braggart shall be found an ass.
 (4.3.346-351)

The second difference is caste. Bertram is a noble; Parolles is a nobody…. For a lot lesser failing, Parolles is utterly cast out, and returns to Court unrecognised as a beggar. One cad is humiliated and crushed; the other cad is forgiven and pampered – and told to come back for more. Bertram likes to see himself as a victim; Parolles doubtless is one.

This is where this play gets its real edge – in the benefits and burdens of caste – and this has not been sufficiently noticed. The kindly old Lord Lafew (wonderfully played by Michael Horden for the BBC) regularly reminded Parolles of his lack of substance. He does not recognise him on his return. There is a most affecting scene……

This is very high theatre. This broken wreck of a nobody is taken up by the informed charity of an older man who is a member of the real nobility in a way that would have been unthinkable to Count Rousillon or his mates. ‘Give me your hand. How does your drum?’ The simplest words are usually the best, not least with this author.

…. While Coleridge thought Helena was ‘Shakespeare’s loveliest character’, Shaw thought that the Countess was ‘the most beautiful old woman’s part ever written’. The Countess is a great role for great actresses in the autumn of their careers. You can listen to Edith Evans or Celia Johnson in the BBC production. They supply a marvellous blanket of humanity on the rough and nervous edges of the men. The 2009 National Theatre production was a little too twee for some; you feared that Puss in Boots might jump Little Red Riding Hood.

……. Here, then, is a comment on the class structure – if you like, the aristocracy– that looks forward to the protest in The Marriage of Figaro; and the sterner protest in the French Revolution. Just as directors and audiences have altered their perspective on Malvolio and Rigoletto, now it may be time to do so with Parolles……. Perhaps it is just a matter of time until some impious clown suggests that this ratbag Parolles may be a more substantial character than that ratbag Falstaff.  Such a promotion of Parolles would not be without precedent – of the highest order. Royalty. Falstaff may have been the favourite of Queen Elizabeth, but Charles I substituted Parolles for All’s Well as the play’s title in his copy of the Second Folio.

This is a very entertaining night at the theatre. We go to the theatre to be entertained, and also to sit and look down upon ourselves, and come out later with hopefully just a little more light inside than when we went in. From any other playwright All’s Well would be saluted as a great play– and it is a great play, because it affords us a lyrical insight into the way we are.

And let us hear no more of ‘problem’ plays, the subject of a Cambridge weekender.   Troilus and Cressida is too long, and its main characters or ideas are either boring or out of fashion.  But All’s Well and Measure for Measure are not ‘comedies’ as we know that term.  They are plays written with an edge that is just right for modern audiences and written by a great playwright when writing at the height of his powers.  We do not need to have them spoon-fed to us as fairy tales.  That is about all that they were before this genius got his hands on them.

Two Dictators

Each views the existing dispensation with contempt, and looks back on a mainly imaginary past, and a wholly imaginary future.

Each counts himself and his nation as a victim.

Each has suffered a crushing loss either personally or by the nation.  ‘Never again.’  Each reacts by denying the loss or inventing reasons for which it must be avenged.  In one sense, each wants to replay events leading to the downfall to produce a different result. 

Both can look at their lives as a struggle against the forces of darkness.  Each is therefore the archetype of a hero.  If either knew who Tolkien was, he would have asked that myth maker to write his story.

Each claims the power to diagnose the cause of his suffering and that of his nation. 

Each claims to have the answer.

Neither has any time for middle ground.

Those they accuse are enemies of the nation.

Each brings a self-righteousness that is nauseating to others.

A savage and vengeful bully lies close to the front of each that sometimes drops.  His whole life is a charade.

Neither has any sense of shame.  Each is shameless.

Each bully has no trouble in finding a weak minority to beat up as scapegoat.

Each claims that by taking revenge on the enemy, he can restore the nation to its greatness.   But both are addicted to and feed off conflict in a way that reminds others of Napoleon’s addiction to la guerre éternelle.  They look like Ponzi schemes of conquest.

Each exploits the envy felt by those who have not done so well for those who have.  Envy, as Othello learned, is a killer. 

And God help any minority whose members are seen to do better than the locals, and who threaten to challenge the established order.  Some are left with only their bare civic standing to barter with, and to lose that is to lose all.

The revenge of each is very personal.

Each is capable of cruelty for its own sake.

The character of each is fixed early, and his upbringing left no capacity for honest inquiry of himself.

Although hungry for power and acceptance, each fears inferiority and resorts to fantasy – a denial of reality.

Each is a showman – is there anything else? – but the Internet carries more clout than a torch-lit parade.

Each has an unerring feel for the parochial and the nativist – the gutter.

Each brings to his followers the ultimate gift of deliverance from the insecurity of doubt.

Each therefore raises a serious question about the upbringing or education of his followers – although it is very unwise for others to raise this issue.

Neither has any friends.  Their ego leaves no room in their psyche for friends.  When the end comes, they may stand alone.

God is obviously quite out of the question.

For similar reasons, neither marries well.  Love is not in the vocabulary.

Because neither cares for other people, each gambles recklessly with the lives of others.  If he goes down, he will take as many with him as possible.  (His Grace the Duke of Wellington correctly identified Napoleon as being guilty of this failing.)

But although each gambles with the lives of others, each is terrified of failing – and refuses to acknowledge it when it happens.

Each has had brushes with the law that he seeks to paint in his favour.  The prevailing faith in the community was premised on the life and teaching of a man subjected to the most gruesome form of capital punishment.  He was a humble man who crossed the old regime. 

Neither could ever be accused of humility.  Each subscribes to his own cult.

Each has devoted cult like followers, but the rest of the nation has trouble taking most of it seriously.  They regard the message and the messenger as fantasy – and banal fantasy at that.

Each is surrounded by toadies who from fear or ambition or both are too scared to contradict their leader.  They betray their obligation to the nation, and they feed the already enlarged ego of the man appointed by destiny.

The press of course is brought to heel, and the judges are too.  They get stacked or sacked in any event.

Each understands that the dictator must make all those around him complicit in what the regime is doing. 

Their loyalty is personal to him – not to the nation.  This is fundamental, and commonly fatal to the nation – and to those who pledge their civic faith.

Each sees the world as he wants to see it.  Each shows all the signs of having been spoiled and pampered as a child,  And that is another ground for saying the claim of victimhood is moonshine.

Each knows that if you are going to lie, and you most certainly are, you lie greatly.

Each relishes chaos – he remains the center of attention.  If he happens to drop from view, he behaves like a baby throwing toys out of the cot. 

Neither can accept being left in a room alone.

Each loves the sound of his own voice.

Each has many fronts, but is capable of an arrogant humility.

The result is that those who oppose the dictators do not understand them and are reviled by them.  The new man is treated with disbelief and scorn, but that only fires up him and his supporters.  (And what, in any event, is ‘reality’?  What did reality ever do for you?)

Each claims to be a patriot, but each also ruthlessly attacks the nation insofar as it was or is outside his power.  L’état c’est moi.  This is just one of those spellbinding contradictions in terms in which he revels. 

Neither has had the time or inclination to acquire any real learning – or taste.  Each is utterly tasteless, and civilized people would be uncomfortable having them in their home.

Each has low intelligence and no conscience.  Each is a moral cripple.

But that want of general intelligence does not prevent either from sensing the taste of the gutter, or an instinct for the weak spots of their enemy.  Someone said of that instinct that it was a handy gift for a politician, but ‘had less in common with the eye of the eagle than with the nose of the vulture.’

Only one is a coward.

In the end, the old regime starts to fall apart, and the center cannot hold.  As Yeats further said, the best lack all conviction, and the worst are full of passionate intensity.  Chaos takes the place of fantasy, and each dictator trades on chaos.

What is essential is that neither lives in this world.  There is more to this than egomania.  Each lives in a world of his own.  As someone remarked of one of them: ‘He does not really exist – he is only the noise he makes.’

But his raison d’être is simple.  He is the hero who will save the nation and raise it to its rightful triumph.

Above all, each is heartless.  I am myself alone.  Et praeteria nihil.  (And in addition, nothing.)

Well, then, both the fantasy and the chaos in their worlds seem to us so banal.  We might look at what that observation entails.

The word ‘banal’ comes from France – curiously, a banalité was one of those feudal obligations that led the peasants to burn down chateaux during the French Revolution.  The dictionary says that ‘banal’ means ‘trite, trivial, or commonplace’, but there is often a suggestion of emptiness or hollowness behind feigned or usurped importance that is pejorative.  This may have been behind the observation in Fowler’sModern English Usage that ‘we should confine banal and banality, since we cannot get rid of them, to occasions when we want to express a contempt deeper than any of the English words can convey.’

Hannah Arendt had as penetrating an intellect as I know of in the realm of political philosophy.  She wrote a book called Eichmann in Jerusalem, A Report on the Banality of Evil.  She explained the sub-title as follows:

When I speak of the banality of evil, I do so only on the strictly factual level, pointing to the phenomenon which stared one in the face at the trial.  Eichmann was not Iago and not Macbeth, and nothing could have been further from his mind than to determine with Richard III ‘to prove a villain’.  Except for an extraordinary diligence in looking out for his personal advancement, he had no motives at all.  And this diligence in itself was in no way criminal; he certainly would never have murdered his superior in order to inherit his post.  He merely, to put the matter colloquially, never realised what he was doing……He was not stupid.  It was sheer thoughtlessness – something by no means identical with stupidity – that predisposed him to become one of the greatest criminals of that period.  And if this is ‘banal’, and even funny, if with the best will in the world one cannot extract any diabolical or demonic profundity from Eichmann, that is still far from calling it commonplace.

These observations derive from intellectual integrity, and they are of great moment.  Arendt had previously said to the same effect: ‘The trouble with Eichmann was precisely that so many were like him, and that the many were neither perverted nor sadistic, that they were and still are terribly and terrifyingly normal.’ 

Eichmann was no devil or demon; he was just human, and the trouble for us is that he was ‘terribly and terrifyingly normal’.  Those who do not accept that Eichmann was just human, and that there is a little of Eichmann in all of us, are seeking to impose some kind of grid or cattle pen over humanity and are at risk of falling into the error that fed the derangement of people like Stalin or Franco or Mussolini.

We might here note the matter of fact assessment of the American historian R R Palmer on Carrier, the man who drowned priests by the boat load in the Vendée during the Revolution, and after being at first applauded, was later guillotined for what we would now describe as war crimes.

Carrier, it may safely be said, was a normal man with average sensibilities, with no unusual intelligence or strength of character, driven wild by opposition, turning ruthless because ruthlessness seemed to be the easiest way of solving a difficult problem.

As Arendt said of Eichmann, ‘it was sheer thoughtlessness…that predisposed him to become one of the greatest criminals of that period.’

It is in the French Revolution more than under twentieth century dictators that we see people with little or no prior experience of government trying both to govern and to lay down a system of government, each of which tasks was beyond most if not all of them. 

These tasks require more than a lifetime of experience – they require generations of history and experience, centuries even.  It is here in France during the revolution that we see ordinary people placed in a whole new world doing their best in good faith to stare down chaos and the void, and just getting slowly more out of their depth until they run out air. 

We see this all the time.  If you have any experience with what we now call risk management, you will know that your biggest worry is the functionary who is getting out of their depth and either does not see that, or is incapable of admitting it.

In any revolution, you can normally back three horses.  First, jealousy fairly shrieks its venom.  Secondly, the scum rises to the surface, as if by an iron law of motion.  (The world’s losers are the most vengeful.)  Thirdly, self-interest usually prevails.  And those at the bottom live in terror of the heavyweights leaving them to hang out and dry when the carousel comes to a stop – as it must.  Their ultimate fear is replacement. 

These are simple, obvious facts of life, but historians tend to forget that most humans are just that – ordinary human beings – when they consider how some of them reacted when the volcano that was France erupted.  When looking back on how events unfolded, with the curse of ignorance and the false hope of hindsight, we may not be surprised to see that some ordinary people did some things that they would do very differently if they had their time again.  There was no procedure or manual telling Robespierre how he might react: the script had not been written because no one had seen anything remotely like it before.  And we might also remember that if the French could at least look back on the experiences of both England and America in their revolutions, the Russians had the benefit of the lot, and made a worse mess than anyone.

There is another term that is useful in dealing with people who are sleight of hand.  Here is Brewer on mountebank:

A vendor of quack medicines at fairs…who attracts the crowd by his tricks and antics; hence any charlatan or self-advertising pretender.  The bank, or bench, was the counter on which traders displayed their goods, and street vendors used to mount on their bank to patter to the public.

There is a big gap in time between Commedia dell’arte and Mussolini, but they have so much in common.  And it is all there in MAGA.

Well, in my lifetime, the Germans and the world learned lessons from Hell.  We have no idea what may unfold as the United States falls apart before our eyes.  Who can say?  Who in the name of God could have predicted that in my lifetime, thousands of Jewish people would choose to live in Germany rather than Israel?

Two Dictators

Each views the existing dispensation with contempt, and looks back on a mainly imaginary past, and a wholly imaginary future.

Each counts himself and his nation as a victim.

Each has suffered a crushing loss either personally or by the nation.  ‘Never again.’  Each reacts by denying the loss or inventing reasons for which it must be avenged.  In one sense, each wants to replay events leading to the downfall to produce a different result. 

Both can look at their lives as a struggle against the forces of darkness.  Each is therefore the archetype of a hero.  If either knew who Tolkien was, he would have asked that myth maker to write his story.

Each claims the power to diagnose the cause of his suffering and that of his nation. 

Each claims to have the answer.

Neither has any time for middle ground.

Those they accuse are enemies of the nation.

Each brings a self-righteousness that is nauseating to others.

A savage and vengeful bully lies close to the front of each that sometimes drops.  His whole life is a charade.

Neither has any sense of shame.  Each is shameless.

Each bully has no trouble in finding a weak minority to beat up as scapegoat.

Each claims that by taking revenge on the enemy, he can restore the nation to its greatness.   But both are addicted to and feed off conflict in a way that reminds others of Napoleon’s addiction to la guerre éternelle.  They look like Ponzi schemes of conquest.

Each exploits the envy felt by those who have not done so well for those who have.  Envy, as Othello learned, is a killer. 

And God help any minority whose members are seen to do better than the locals, and who threaten to challenge the established order.  Some are left with only their bare civic standing to barter with, and to lose that is to lose all.

The revenge of each is very personal.

Each is capable of cruelty for its own sake.

The character of each is fixed early, and his upbringing left no capacity for honest inquiry of himself.

Although hungry for power and acceptance, each fears inferiority and resorts to fantasy – a denial of reality.

Each is a showman – is there anything else? – but the Internet carries more clout than a torch-lit parade.

Each has an unerring feel for the parochial and the nativist – the gutter.

Each brings to his followers the ultimate gift of deliverance from the insecurity of doubt.

Each therefore raises a serious question about the upbringing or education of his followers – although it is very unwise for others to raise this issue.

Neither has any friends.  Their ego leaves no room in their psyche for friends.  When the end comes, they may stand alone.

God is obviously quite out of the question.

For similar reasons, neither marries well.  Love is not in the vocabulary.

Because neither cares for other people, each gambles recklessly with the lives of others.  If he goes down, he will take as many with him as possible.  (His Grace the Duke of Wellington correctly identified Napoleon as being guilty of this failing.)

But although each gambles with the lives of others, each is terrified of failing – and refuses to acknowledge it when it happens.

Each has had brushes with the law that he seeks to paint in his favour.  The prevailing faith in the community was premised on the life and teaching of a man subjected to the most gruesome form of capital punishment.  He was a humble man who crossed the old regime. 

Neither could ever be accused of humility.  Each subscribes to his own cult.

Each has devoted cult like followers, but the rest of the nation has trouble taking most of it seriously.  They regard the message and the messenger as fantasy – and banal fantasy at that.

Each is surrounded by toadies who from fear or ambition or both are too scared to contradict their leader.  They betray their obligation to the nation, and they feed the already enlarged ego of the man appointed by destiny.

The press of course is brought to heel, and the judges are too.  They get stacked or sacked in any event.

Each understands that the dictator must make all those around him complicit in what the regime is doing. 

Their loyalty is personal to him – not to the nation.  This is fundamental, and commonly fatal to the nation – and to those who pledge their civic faith.

Each sees the world as he wants to see it.  Each shows all the signs of having been spoiled and pampered as a child,  And that is another ground for saying the claim of victimhood is moonshine.

Each knows that if you are going to lie, and you most certainly are, you lie greatly.

Each relishes chaos – he remains the center of attention.  If he happens to drop from view, he behaves like a baby throwing toys out of the cot. 

Neither can accept being left in a room alone.

Each loves the sound of his own voice.

Each has many fronts, but is capable of an arrogant humility.

The result is that those who oppose the dictators do not understand them and are reviled by them.  The new man is treated with disbelief and scorn, but that only fires up him and his supporters.  (And what, in any event, is ‘reality’?  What did reality ever do for you?)

Each claims to be a patriot, but each also ruthlessly attacks the nation insofar as it was or is outside his power.  L’état c’est moi.  This is just one of those spellbinding contradictions in terms in which he revels. 

Neither has had the time or inclination to acquire any real learning – or taste.  Each is utterly tasteless, and civilized people would be uncomfortable having them in their home.

Each has low intelligence and no conscience.  Each is a moral cripple.

But that want of general intelligence does not prevent either from sensing the taste of the gutter, or an instinct for the weak spots of their enemy.  Someone said of that instinct that it was a handy gift for a politician, but ‘had less in common with the eye of the eagle than with the nose of the vulture.’

Only one is a coward.

In the end, the old regime starts to fall apart, and the center cannot hold.  As Yeats further said, the best lack all conviction, and the worst are full of passionate intensity.  Chaos takes the place of fantasy, and each dictator trades on chaos.

What is essential is that neither lives in this world.  There is more to this than egomania.  Each lives in a world of his own.  As someone remarked of one of them: ‘He does not really exist – he is only the noise he makes.’

But his raison d’être is simple.  He is the hero who will save the nation and raise it to its rightful triumph.

Above all, each is heartless.  I am myself alone.  Et praeteria nihil.  (And in addition, nothing.)

Well, then, both the fantasy and the chaos in their worlds seem to us so banal.  We might look at what that observation entails.

The word ‘banal’ comes from France – curiously, a banalité was one of those feudal obligations that led the peasants to burn down chateaux during the French Revolution.  The dictionary says that ‘banal’ means ‘trite, trivial, or commonplace’, but there is often a suggestion of emptiness or hollowness behind feigned or usurped importance that is pejorative.  This may have been behind the observation in Fowler’sModern English Usage that ‘we should confine banal and banality, since we cannot get rid of them, to occasions when we want to express a contempt deeper than any of the English words can convey.’

Hannah Arendt had as penetrating an intellect as I know of in the realm of political philosophy.  She wrote a book called Eichmann in Jerusalem, A Report on the Banality of Evil.  She explained the sub-title as follows:

When I speak of the banality of evil, I do so only on the strictly factual level, pointing to the phenomenon which stared one in the face at the trial.  Eichmann was not Iago and not Macbeth, and nothing could have been further from his mind than to determine with Richard III ‘to prove a villain’.  Except for an extraordinary diligence in looking out for his personal advancement, he had no motives at all.  And this diligence in itself was in no way criminal; he certainly would never have murdered his superior in order to inherit his post.  He merely, to put the matter colloquially, never realised what he was doing……He was not stupid.  It was sheer thoughtlessness – something by no means identical with stupidity – that predisposed him to become one of the greatest criminals of that period.  And if this is ‘banal’, and even funny, if with the best will in the world one cannot extract any diabolical or demonic profundity from Eichmann, that is still far from calling it commonplace.

These observations derive from intellectual integrity, and they are of great moment.  Arendt had previously said to the same effect: ‘The trouble with Eichmann was precisely that so many were like him, and that the many were neither perverted nor sadistic, that they were and still are terribly and terrifyingly normal.’ 

Eichmann was no devil or demon; he was just human, and the trouble for us is that he was ‘terribly and terrifyingly normal’.  Those who do not accept that Eichmann was just human, and that there is a little of Eichmann in all of us, are seeking to impose some kind of grid or cattle pen over humanity and are at risk of falling into the error that fed the derangement of people like Stalin or Franco or Mussolini.

We might here note the matter of fact assessment of the American historian R R Palmer on Carrier, the man who drowned priests by the boat load in the Vendée during the Revolution, and after being at first applauded, was later guillotined for what we would now describe as war crimes.

Carrier, it may safely be said, was a normal man with average sensibilities, with no unusual intelligence or strength of character, driven wild by opposition, turning ruthless because ruthlessness seemed to be the easiest way of solving a difficult problem.

As Arendt said of Eichmann, ‘it was sheer thoughtlessness…that predisposed him to become one of the greatest criminals of that period.’

It is in the French Revolution more than under twentieth century dictators that we see people with little or no prior experience of government trying both to govern and to lay down a system of government, each of which tasks was beyond most if not all of them. 

These tasks require more than a lifetime of experience – they require generations of history and experience, centuries even.  It is here in France during the revolution that we see ordinary people placed in a whole new world doing their best in good faith to stare down chaos and the void, and just getting slowly more out of their depth until they run out air. 

We see this all the time.  If you have any experience with what we now call risk management, you will know that your biggest worry is the functionary who is getting out of their depth and either does not see that, or is incapable of admitting it.

In any revolution, you can normally back three horses.  First, jealousy fairly shrieks its venom.  Secondly, the scum rises to the surface, as if by an iron law of motion.  (The world’s losers are the most vengeful.)  Thirdly, self-interest usually prevails.  And those at the bottom live in terror of the heavyweights leaving them to hang out and dry when the carousel comes to a stop – as it must.  Their ultimate fear is replacement. 

These are simple, obvious facts of life, but historians tend to forget that most humans are just that – ordinary human beings – when they consider how some of them reacted when the volcano that was France erupted.  When looking back on how events unfolded, with the curse of ignorance and the false hope of hindsight, we may not be surprised to see that some ordinary people did some things that they would do very differently if they had their time again.  There was no procedure or manual telling Robespierre how he might react: the script had not been written because no one had seen anything remotely like it before.  And we might also remember that if the French could at least look back on the experiences of both England and America in their revolutions, the Russians had the benefit of the lot, and made a worse mess than anyone.

There is another term that is useful in dealing with people who are sleight of hand.  Here is Brewer on mountebank:

A vendor of quack medicines at fairs…who attracts the crowd by his tricks and antics; hence any charlatan or self-advertising pretender.  The bank, or bench, was the counter on which traders displayed their goods, and street vendors used to mount on their bank to patter to the public.

There is a big gap in time between Commedia dell’arte and Mussolini, but they have so much in common.  And it is all there in MAGA.

Well, in my lifetime, the Germans and the world learned lessons from Hell.  We have no idea what may unfold as the United States falls apart before our eyes.  Who can say?  Who in the name of God could have predicted that in my lifetime, thousands of Jewish people would choose to live in Germany rather than Israel?

Villains – and evil

[This was posted before the recent U S election.  It is set out again because every word bears on how our worst fears have been realised since Trump took office.  In The New York Times, Thomas Friedman said the question is whether Trump is the dupe of Putin or a Mafia don running a protection racket.]

There is no such thing as evil.  It is not something that you can sprinkle on or detect in your fish and chips.  Rather, it is a label that we attach to some forms of conduct.  And what we usually have in mind are people who are ready, willing and able to hurt or kill other people for the sake of it – or, as the saying goes, for the hell of it.  There may be no other apparent motive.  The pickpocket, the drug dealer, the rapist, the blackmailer, the vengeful husband, the neo-Nazi – they all have a motive.  But the villain?

At the beginning of his lecture on Richard III, W H Auden said there is a difference between a criminal and what we call a villain.  ‘The villain is an extremely conscious person and commits a crime consciously and for its own sake.’  The leading examples in Shakespeare, apart from Richard III, are Aaron in Titus Andronicus, and Iago in Othello.

In ordinary language, an evil person is one who wants to do wrong by others.  Such a person gets called a villain.  That word has apparently come down to us from villein, the equivalent of the serf at the bottom of the medieval social ladder.  Brewer (Dictionary of Phrase and Fable) says that the notion of ‘rascality, wickedness and worthlessness now associated with villainis a result of aristocratic condescension and sense of superiority’.  That is very English.  (The editor cites a passage from the opening scene of As You Like It, where both meanings are in play in the one sentence.)

There is, at least in our literature, another type of villain, if I may be permitted that term.  Some characters are so made that they cannot stand goodness.  When in Paradise Lost, Satan comes across Adam and Eve, he ‘felt how awful goodness is’.  (And if Satan is not entitled to have a view on evil, no one is.)  Iago saw in Cassio a kind of ‘daily beauty’ that unsettled him.  The most gross example is John Claggart in Billy Budd – especially in the libretto of the opera.  Claggart is unmanned by the simple goodness of Billy. 

O beauty, o handsomeness, goodness!  
Would that I never encountered you!  
Would that I lived in my own world always,  
in that depravity to which I was born.  
There I found peace of a sort, there I established  
an order such as reigns in Hell…….
Having seen you, what choice remains to me?  
None, none! I’m doomed to annihilate you,  
I’m vowed to your destruction. ….
No, you cannot escape!  
With hate and envy, I’m stronger than love….

There is more.

But when we come to look at Richard III, we will see that some bad actors are driven by pure envy in looking at what others get in life that is certainly denied to them.  Iago drove Othello to be jealous of what he thought Cassio was up to with his wife, but Iago envied Cassio for his good fortune and success in life.  In the grizzly argot of our time, Iago, a man of ‘other ranks’ bitterly resented the elites.

In papers called Richard and Adolf and The Seduction of Seduction, I have looked at some of these issues, but here I wish to focus on what the play Richard III may tell us now about the phenomenon of Donald Trump.

But, first, I want to say something about the best-known character of Shakespeare – Sir John Falstaff.  Not in any order, Falstaff is a coward, a liar, a fraud, a womaniser, a drunk, and a rotten fat skunk.  And he is this playwright’s most popular and enduring character.  One reason is that he said things and did things to offend and upset the Establishment in ways that we would like to be able to do.  He put the boot into knighthood and chivalry as surely as Cervantes did with Don Quixote.  He was the champion of those who had missed out. 

Well, if you go to a MAGA rally, you will not find too many people successful in a profession, government, academe, or business.  (Nor will you find any at the bottom of the scale, sleeping rough.)

And we might here telegraph a warning about the significance of Falstaff.  Dr Johnson said the character was loaded with faults, ‘and with those faults that naturally produce contempt.’  But he concluded his remarks:

The moral to be drawn from this representation is that no man is more dangerous that he that with a will to corrupt hath the power to please; and that neither wit nor honesty ought to think themselves safe with such a companion when they see Henry seduced by Falstaff.  (My emphasis.)

I see the seduction as the other way around, but the point remains.  What is it that attracts us to some complete ratbags?  How do we get sucked in – conned?

In discussing Richard III, Dr Johnson said that Shakespeare was careful to suggest that the wickedness of Richard proceeded from his deformity – and from the ‘envy that rose at the comparison of his own person with others, and which incited him to disturb the pleasures that he could not enjoy’.  There is a lot of that in the Austrian corporal who was rejected by both Vienna and the German High Command.  But at the beginning of Richard III, in his opening speech, Richard says that with all his obvious defects, he is ‘determined to prove a villain.’  The author had paved the way in the prior play (Henry VI, Part III, 3.2 and 5.6), when Richard told us that he can smile and murder while he smiles – which he later does while stabbing a king to death, while saying that he has ‘neither, pity, love, nor fear…. I am myself alone.’  By the end of the preceding play, Richard had happily compared himself to Judas – and you can’t go lower than that.

Here then is the triumph of the ego in the ultimate smiling assassin.  Now, that is a title that we would award to Vladimir Putin rather than Donald Trump, but that does not mean that we may not get some guidance on how to deal with the latter, from the insights into our humanity of the greatest playwright the world has known.

Here are some points of resemblance and distinction.

Each comes from a background that is on any view ‘privileged’ – and each knows little about the rest of the world, and each cares even less.  Neither really cares for anybody else.  The self is all in all.

Each is in his own way childlike.  Each has a view of the world that is at best superficial.  Neither could imagine a world without himself.  Nothing in the world is relevant unless it relates to him.  Somehow. the ordinary rules do not apply to him.

Each disdains anything remotely resembling book learning.

Richard, like Trump, did not care for others, but he could seduce them.  In this they both resemble Don Giovanni.  The seducer is amoral and it’s as if their victims had some sort of death wish.  If these seducers have any conscience, and it is a real issue for both, it just does not work.

Conscience is but a word that cowards use,

Devised at first to keep the strong in awe;

Our strong arms be our conscience, swords our law!  (Richard III, 5.3.310-312)

That is the credo of the fascist.

People rarely get close or remain close to either of them.  They are mostly front.  Their egos do not allow much time out for others.  If someone breaks through, it is just a matter of time before they are ejected – with extreme prejudice.  Buckingham was Richard’s most loyal supporter in winning the crown.  When he feels the rift, he is ‘off while my fearful head is on’ (4.2.121).  With Trump, the rift comes when the lackey gets caught, and Trump drops him cold – and in the slammer.

You could not reason with either.  They create their own reality.  Both resemble spoiled children who never learned better, or grown up.

They enjoy the game of plotting to get power.  They are born gamblers.  Why not?  They take huge risks because they don’t mind if others get hurt.  But they are very bad on the job when they get it.  They were not made for responsibility in government – or anything else.  In this and other respects, they are like spoiled children who have not known what it is to be accountable.

Revenge for them is very personal.  This is because the loyalty they expect is very personal.  People owe loyalty not to the office or the nation, but to the leader personally.  This was the great error of the German High Command in dealing with Adolf Hitler, and it is the beginning of the shredding of anything like the rule of law.  What you get is personal power of someone above the law.  The old term was ‘tyrant’.

There was a beautiful example with the singer, Taylor Swift.  She was a threat because she might prove more popular than Trump.  And she had backed the other side.  Trump said there was ‘no way she could endorse Crooked Joe Biden’ and would never be ‘disloyal to the man who made her so much money’.  Congress had passed an act giving financial aid to singers, but to Trump, it never gets above the personal.  In Darkness at Noon, by Arthur Koestler, the last chapter is headed ‘The Grammatical Fiction.’  There is no such thing as ‘I’.  In the world of Donald Trump – and Richard III – it is the other way around.  There is ego – and that is that.  The Oxford English Dictionary happily defines egomania as ‘the insanity of self-exaltation’. 

The personal nature of the rule, and the grubby means by which these people come to power, feeds on and promotes division and conflict, and simple hate.  They are a form of cancer on the community.  Indeed, that is the underlying thread of these plays leading to and from the Wars of the Roses.  Trump just went one further by denying that he had ever lost power.

These people appeal to those who feel they have missed out in the race of life.  This is more Trump’s schtick than that of Richard.  The scenes where Richard says that he has to be enlisted for the benefit of the common weal are frankly comical – but, in truth, no more incredible than what Trump’s ‘base’ salutes him for.  His followers think that they have been treated unfairly, and that this gives them a moral right to seek retribution.  And they are quick to identify those who they think should answer for their ill treatment – although they do not use the word ‘scapegoats.’  Their leaders go along with this.  It brings the loudest cheers at the rallies.  This is more like Jack Cade than Richard.  The oppressed believe that their leader is the one to look after them, and preserve what they have managed to retain from the wreckage wrought by their opponents.

They both play rough.  They know no other way.  They just ride roughshod over any doubter or opponent who gets in their way.  Bluff is built into their persona.  And if you are going to lie, lie big.  It is as if there is nothing left solid in the relative ether, and people have always preferred fiction to history.  This braggadocio is just another part of the intimidation, and it is always the scheme of the dictator to involve as many as possible in the dirty work, so that they get locked in by their own complicity.  There is the sleight of hand of those we used to call mountebanks.  Here is Brewer on mountebank:

A vendor of quack medicines at fairs…who attracts the crowd by his tricks and antics; hence any charlatan or self-advertising pretender.  The bank, or bench, was the counter on which traders displayed their goods, and street vendors used to mount on their bank to patter to the public.

That description brings us from the post-medieval morality plays and commedia dell’arte to Richard III – and it is also very apt for a MAGA rally.

Now for some differences. 

Richard was a worthy soldier in battle, and prepared to do his own murders.  But Richard does not delude himself as Trump appears to do.  On the contrary, he takes great pride in his machinations and the pure malice that drives them.  When he seduces Anne, a process that is revolting, he challenges the audience to come with him.  He is celebrating a win for the misfits.  ‘And yet to win her, all the world to nothing’ (1.2.237) Auden said (in 1946) of the opening monologue of Richard that it was ‘not unlike Adolf Hitler’s speech to his General Staff on 23 August 1939 in its utter lack of self-deception.’  That is a remarkable analogy.  Some were more than troubled by the apocalyptic and brazen tripe of Trump in his (first) inaugural.  Was this the same nation that gave the world Abraham Lincoln? 

Auden also said that Richard was not ambitious in the ordinary sense of that term.  ‘He’s not interested in becoming king for the position of power, but because becoming king is so difficult.’  Well, others might put differently that description of the pursuit of the prize. 

But we come now to the bad news.  Dr Johnson, as we saw, warned against the dangers in succumbing to the whiles of Falstaff.  Sir Anthony Quayle played Falstaff and fairly described him as ‘frankly vicious.’  Why do we fall for him?

The problem is that Richard takes the audience with him and at least in part seduces the audience.  I referred above to the old morality plays.  They appeared in England in the 15th and 16th centuries – to set up the triumph of virtue over vice.  Vice was a central character – generally named after a particular vice, like pride or greed, who wore a cap with asses’ ears (so prefiguring Bottom). 

Richard expressly makes a reference to Vice.  ‘Thus, like the formal Vice, Iniquity, I moralise two meanings in one word’ (3.1.82-83).  I need to set out what Tony Tanner says here in full.

The Vice was the self-avowed mischief-maker, if not chaos-bringer, and we should remember that one of his Satanic privileges was to inveigle the audience into laughing at evil.  The figure of the Vice was clearly invaluable to Shakespeare when it came to depicting inexplicable evil, evil which seems gratuitous, unmotivated, simply for its own sake.  From any point of view, Richard’s behaviour is profoundly irrational, and is finally both horrifying and incomprehensible even to his closest accomplices (in fact, no one is close to him at all; simply some accompany him further into his evils than others.)  Richard is, as he has told us, an expert Machiavel; he is also a Senecan tyrant and a Marlovian villain (closest to Barabbas in The Jew of Malta).  But he is primarily a Vice.  However – and this is crucial – he is a Vice who acquires (no matter how foully) the legitimate robes of a king.

Those insights round off this discussion.  ‘Chaos-bringer’ is so apt.  And remember just how vicious, how horrifying, Richard is.  The murderer of the children is unmanned by this ‘most arch deed of piteous massacre’ (4.3.2).  The king can hardly wait until after supper to hear ‘the process of their death.’

It is then that we recall that the playwright has subjected us to hours of flirtation with our taste for violence and deceit.  It is followed by a set piece of our theatre – the judgment of the Furies, the mother and two wronged queens, one of whom is a world authority on cursing.  We need to remember that Richard got to the crown not by guile or rebellion, but by murder in cold blood.  It makes The Godfather look pale – but we get a kick out of that, too.

So, as we watch in trepidation the possible revival of Donald Trump, despite all his offences against humanity, we should ask again – just why do we fall for some kinds of ratbag? 

And while doing so, we might recall that it does not require anything like the incandescent genius of Shakespeare, or the craftiness of Satan, to induce our undoing.  And despite his trysts with the ghosts, Richard goes down swinging, like Don Giovanni, but sans cheval.  And there were some in the cinema who cheered him on even there.

May I finally say something about the condition of the United States now?  In discussing Julius Caesar, Auden said that Rome was not doomed by the passions of selfish individuals, but ‘by an intellectual and spiritual failure of nerve that made the society incapable of dealing with its situation’   Angela Merkel said that ‘Sometimes my greatest fear is that we have somehow lost the inner strength to stand up for our way of life’.  The phrase ‘inner strength’ catches the eye.  A German man called Stephen Haffner lived through the twenties and thirties and the rise of Hitler.  He described the failure of Germany in very simple terms as a kind of ‘nervous breakdown’ that flowed from the want of a ‘solid inner kernel.’

The only thing that is missing is what in animals is called ‘breeding’.  This is a solid inner kernel that cannot be shaken by external pressures and forces, something noble and steely, a reserve of pride, principle and dignity to be drawn on in the hour of trial….  At the moment of truth, when other nations rise spontaneously to the occasion, the Germans collectively and limply collapsed.  They yielded and capitulated, and suffered a nervous breakdown…

That is just how major battles and sporting events are won and lost.  Sadly, it does not help either us or the U S that we have seen it all before.

The Men Who Killed the News

This book by Eric Beecher is long -or it seems long – and it may not tell us much that is new – but we should read it.  I may have missed it, but the subtitle could be the aphorism ‘Power without responsibility – the prerogative of the harlot through the ages.’

We get all the moguls.  They are devoid or style and humanity.  They are in it for power – bought with money.  The main villain is of course Rupert Murdoch – and the book makes it clear that he could not give a bugger. 

It also makes it clear that things could get worse under the presently nominated successor, Lachlan Murdoch.  If his action against Crikey is any indication, Lachlan has no judgment at all.  In a lifetime in the law, much of it involving the press, I have never seen anything like it.

His sad case raises another point.  None of these moguls shows any sign of contentment.  If life involves the pursuit of happiness, each is a pathetic failure.  And that goes for those who kowtow to them.  I have no idea what it may have been like to work in an Ottoman harem, or Oriental knock shop under the Red Guards, but that is how the well-paid tributaries of Rupert and Sons look to me. 

Rupert is just frankly vicious.  He knows no other way.  And he doesn’t even look like leaving us soon.  He may have time to claim the record of Henry VIII as a retail terminator of his wives – although not even Harry – what an awful rock to build a church on – could do so by email.  When Rupert goes, there will be a massive funeral, but not one mourner.  The damage he has wrought to the governance of Australia and the U S is beyond assessment.

As is the damage he has done to the profession of journalism – that he has devoted his life to perverting.  People in a profession do so as a vocation that serves a public purpose.  The public need for the functions of journalists is as clear as that for doctors and lawyers.  All of them have to put food on the table, but when money becomes paramount, as it does in the Murdoch world, professionalism goes clean out the window, and you are left with tits, lies, and downright hit jobs.

One chapter is called ‘Give ‘em what they want.’  There is a remarkable resemblance between the moguls and people like Trump, Boris, Farage, and now Musk.  They know how to fish the gutter – the contents of which they regard with contempt.  And the people so hooked think it is Christmas – so that the working people of the U S thought they may be better off under a government of billionaire egomaniacs.

All this is so cold that Michael Corleone could have blushed when he replayed the primal sin of murdering a brother.  Rupert sacked the guy who published the Hitler diaries after he, Rupert, had personally ordered their publication – the sort of thing Hitler avoided – and as the truth came out, said ‘nothing ventured, nothing gained – after all, we are in the entertainment business.’  (The German victim at Stern said ‘I couldn’t believe that anyone would have gone to the trouble of forging something so banal.’  That brought to mind Hannah Arendt, and my reaction to scammers posing as bankers – they were so banal, they had to be real.)

And when Rupert said ‘this is the most humble day of my life’, he butchered the language, but he was humiliated because he was caught with his hands in the till.  As was everyone at Fox when they were caught despising Trump.

And in the course of my legal practice, I have seen with my own eyes people very high up in the Melbourne community quail at the prospect of Rupert coming after them.

Mr Beecher quotes a remark of Edmund Burke I could not recall- ‘the world is governed by go-betweens’.  That is so true – and so many wheedling ratbags.  And the press is forever in danger of joining the swill.  It is very sad, because public trust is evaporating in almost every aspect of our communal life. 

Possibly the most potent quote comes at the start – from Janet Malcolm, who is about as respectable as you can get on this subject.

Every journalist who is not too stupid or too full of himself to notice what is going on knows what he is doing is morally indefensible.  He is a kind of confidence man, preying on people’s vanity, ignorance or loneliness, gaining their trust, and betraying them without remorse. 

Mr Beecham says: Journalism is by nature an exercise in manipulation. 

Well, so in some ways are those who practise medicine or the law.  But the problem for journalists is that they have to spend so much time in dealing with people in politicsor business who are on the make.  And manipulators work on manipulators and whole industries evolve to murder the very idea of truth and to salute evasion.  And they do for lucre, the potential pollutant of every profession.

And then along came AI.  Can anyone trust anyone now?  Mr Beecher concludes by saying that ‘he never imagined that the intervention of machines, controlled by another group of human beings behaving badly, could usurp the moguls and make things worse.’

Perhaps I should insert a form of disclaimer.  In my time in the law I acted for and against the press and have a settled view on where the power lies, but in dealing with journalists on a daily basis about issues I was involved in, I had hardly ever any complaint about dealing with them in confidence.  Which is more than I could say for my lot.

Finally.  I have very much enjoyed many summer schools at Oxford and Cambridge, but those drongoes at Oxford who established the Rupert Murdoch Chair in Communications should be utterly ashamed of themselves.  Alan Bennett said: ‘If the University thinks it’s appropriate to take Rupert Murdoch’s money, perhaps they ought to approach Saddam Hussein to found a chair in peace studies.’ 

Or they could cross the channel to see the sluts in white boots at Pigalle.

Some pairs in King Lear

Two old men, King Lear and the Earl of Gloucester (or Gloster), drive a theme with two plot-lines.  They are both now past it, and they are out of touch with the next generation – which in their case contains predators to whom they are vulnerable.  They respond by casting out the innocent child.  If Hamlet is about angry young men, King Lear is about angry old men.

Two sisters compete for nastiness.  ‘Tigers, not daughters.’  Bradley looks to give the palm to Regan – notwithstanding that Goneril murders her, and offers to give the same medicine to her own husband in order to make room in her bed for the bastard.  Bradley remarked that Regan had ‘much less force, courage and initiative than her sister, and for that reason is less formidable and more loathsome.’  Tales of evil sisters have a long history, but these too are hard to beat.  When Regan says she is sick, Goneril, the poisoner, says, aside: ‘If not, I’ll ne’er trust medicine.’  The humour is very black and morbid at the end.  But Regan does have ‘Let him smell his way to Dover.’  And that is pure evil.  Perhaps Bradley had in mind that being weaker, and second in line, Regan was the crueller bully when she got her chance.

Two sons, and brothers of sorts, are very different.  The bastard lives up to the argot in his title.  Gloster’s legitimate son, Edgar, is very hardly done by, but he finishes in triumph, while taking out the bastard, and coming into power.

The two husbands of the evil sisters fall out almost immediately, we are told.  Cornwall is the archetypal villain.  Albany comes fully to understand his folly in marrying Goneril.  Cornwall gets his due from a servant – exquisite irony.  Albany is set to retire hurt.  He was not built for this sort of game.

Two members of the aristocracy – two nobles, if you prefer –react in their own way to events above them.  Kent is nothing if not forthright – and he is ferociously loyal.  He is the first out of the family to feel the wrath of the king in his descent into madness.  Gloster is appalled at what is happening, but he plays the role of the dutiful courtier.  But when civil war is started, he has to take sides, and he pays the ultimate price in the cruellest scene of this playwright outside of Titus Andronicus.

The two French wooers of Cordelia are very different.  Burgundy is naturally unsettled that the offer of wealth has been withdrawn by a cranky king of perfidious Albion.  (He takes the Macron view of commerce.)  France is curious and big hearted – but at the end, he picks a bad time to have an alternative engagement, and his wife is murdered.

Two victims stand out because they are effectively disinherited for no good reason – Cordelia and Edgar.  Cordelia is the victim of her father’s hot blood, and the evil of her sisters.  Edgar is the victim of the evil of his sibling, and the pompous rashness of his father.  Gloster commits what might be called the Othello mistake – he convicts a loved one without hearing from him first.  (The mechanics of the two frauds are very similar.)  By contrast, Lear puts some kind of test to his daughter, and then snaps when she refuses to play the game.  There is thus a symmetry of evil and rashness in the story of two of the principal victims.

Two characters are sacrificed because they are simply not up to it.  Neither Gloster nor Albany is set in anything like the heroic mould.  They are courtiers who make up the numbers and who become collateral damage.  Albany survives, but his interest in ruling has died, and it will be a while before he thinks of marrying again.  One such ‘interlude’ is enough.

Two characters are cracked in the head – the Fool by nature, and Poor Tom by design.  The first adds to the theatre; Poor Tom does not do that – at least for most audiences today.

Two are there to meet in a fight, like that at the OK corral – Edgar and Oswald.  And each is up for it.  But Kent was the more natural antagonist: ‘His [Oswald’s] countenance likes me not.’   On this form, he could become an honorary member of the Marylebone Cricket Club. 

(The spray that Kent gives Oswald at 2.2.14ff could excite the jealousy of the coach of Melbourne Storm.  He is justly famous for his sprays of his manly entourage.  One of the milder forms of abuse of Kent for Oswald is ‘the son and heir of a mongrel bitch.’  Speaking of Melbourne Storm and rugby league – which is not the upper-class version of rugby – at their first meeting, Kent labelled Oswald ‘you base football player.’  The Everyman annotation reads: ‘a low game played by idle boys to the scandal of sensible men.’  The football reference makes dating the action in the play even more difficult, but the analogy is now complete.  This play is about the heaviest of this playwright on the stage.  Kent on Oswald is the play’s one belly laugh, and it should be played for all it is worth – otherwise the audience, too, might go mad.)

And there is something of the mathematics of the western in the fugue of the finale – two of the black hats get taken out by two of the white hats. 

And, finally, there is also an element of Greek tragedy.  Lear, Gloster, and to some extent Albany, are cleansed and enlightened by their suffering – Bradley says ‘purified.’  Which is what members of the audience might aspire to as the curtain comes down, and they go out to face the world.

The purpose of the play is to answer the question: ‘Is man no more than this?’  For that purpose, we the audience take upon ourselves the mystery of things, ‘as if we were God’s spies.’  And the answer is that all that stands between us and the primal slime is about as strong as a Tallyho cigarette paper.  That is why the study of evil in the theatre of the grotesque of the ages in King Lear is seen as this author’s greatest work.

Shakespeare – theatre – drama.